费孝通先生与西部人文资源研究
方李莉
（中国艺术研究院艺术人类学研究中心，北京 100029）
摘要：《西部人文资源的保护开发和利用》和《西北人文资源环境基础数据库》的学术成果，是由费孝通先生担任学术指导，并在他支持和申请下立项的国家重点课题。按照费孝通先生的思路，前者主要是在梳理和清点了西部人文资源的基础上，对西部人文资源进行更深入的调查和研究，提出一些可行性的保护、开发和利用的具体措施。后者主要是对西北的人文资源进行梳理和清点，也就是通过数据库的建立，来摸清我们的家底。
关键词：费孝通；中国西部；人文资源；研究
分类号： C91-06文献标识码： A文章编号： 1672-9838（2010）02-0005-05
Mr. Fei Xiaotong and Research on the Western Humanities Resources
FANG Li Li
(Art AnthropologyResearchCenter of ChinaAcademy of Art, BeijingChina 100029)
Abstract: “Protection, development and use of the Western humanities resource”and“Northwest humanities resources of environmental infrastructure database”are the academic achievements of the national key projects under the guidance and support of Mr. Fei Xiaotong. In accordance with the idea of Mr. Fei Xiaotong, the former has mainly made in-depth investigation and study of the Western humanities resource based on the sorting and inventory in the western cultural resources and put forward some feasible specific measures of protection, development and utilization. The latter is mainly the database building of the Northwest humanities resources, through the establishment of which to find out our real situation.
Key words: Fei Xiaotong; western China; humanities resources; research
费孝通先生的民族理论
周星
（日本爱知大学国际交流部，日本 爱知县 441-8522）
摘要：费孝通的民族研究经历，自始至终地贯穿着对少数民族社会与文化、民族关系和中国式民族理论孜孜不倦的探索。分析探讨其“多元一体”的民族理论，包括其形成轨迹、内容要点、主要贡献和依然存在的问题，有益于今后持续的研究。
关键词：费孝通；民族理论；形成轨迹；贡献；问题
分类号： C91-06文献标识码： A文章编号： 1672-9838（2010）02-0010-11
National Theory of Mr. Fei Xiaotong
ZHOU Xing
(International Department, Japan Aichi University, Aichi Japan 441-8522)
Abstract: Fei Xiaotong’s national research experience, from beginning to end runs through the tireless exploration of society and culture of ethnic minorities, ethnic relations and Chinese ethnic theory. Analysis of their “diversity and unity”of the national theory, including the formation of track, of the contents, the main contributions and the existing problems continuing benefit the future study.
Key words: Fei Xiaotong; national theory; track of formation; contribution; problem
当代西方艺术人类学研究中的几个基本问题
李修建
（中国艺术研究院艺术人类学研究中心，北京 100029）
摘要：艺术人类学是新兴的研究领域，在对20世纪60年代以来的艺术人类学著作进行梳理的基础上，探讨了艺术人类学研究中的几个基本问题。艺术人类学被视为一门交叉学科，其研究对象不限于原始艺术，更包括广泛的艺术领域。艺术人类学将艺术视为文化的一部分，主张将其置于具体的语境中进行研究。此外，考察了艺术人类学的研究史。 〖JP〗
关键词：当代（西方）；艺术人类学;学科定位；研究对象；艺术;语境
分类号： J60-02文献标识码： A文章编号： 1672-9838（2010）02-0021-07
Some Basic Problems in the research on Contemporary Western Art Anthropology
LI Xiu-jian
(Art AnthropologyResearchCenter of ChinaAcademy of Art, HohhotInner Mongolia 010010 )
Abstract: Art anthropology is a new field of study in the 20th century. Based on the sorting out of the art anthropological works since the 60’s, this article has studied a few basic questions in this field. Art anthropology is considered an inter-discipline, whose research was not limited to original art, including a wide range of art. As part of the culture, art anthropology advocates the specific research in the context. In addition, it also investigates the l research history of art anthropology.
Key words: contemporary (Western); art anthropology; subject positioning; research object; art; context
科尔沁萨满教艺术的人类学解析
色音
（北京师范大学文学院，北京 100875）
摘要：科尔沁萨满教艺术包括绘画美术、音乐、舞蹈等部分。蒙古族萨满教文化在岩画艺术中留下了历史的痕迹,其绘画艺术还表现在萨满神像以及萨满法具和法服上的装饰图案中；蒙古族的萨满教舞蹈种类繁多，各具民族特色；而蒙古族萨满教音乐是独具特点的宗教音乐。需要说明的是，我们为了研究方便将萨满教的艺术分作绘画、舞蹈、音乐三大部分来分析。然而，在萨满文化体系中这三者往往是融为一体，不能够截然分开的。
关键词：科尔沁；萨满教艺术；萨满文化体系；人类学
分类号： J19文献标识码： A文章编号： 1672-9838（2010）02-0028-08
Anthropology Analysis of Horchin Shamanism Art
Sain
(College of Liberal Arts of BeijingNormalUniversity, BeijingChina 100875)
Abstract: Horchin Shamanism arts contain painting art, music, dance. Mongolian Shamanism culture has left traces in cliff painting art and its painting art is also reflected in the decorative patterns of shaman gods picture, shaman utensils and clothes; Mongolian Shamanism music has a wide range of dance, all with national characteristics; the Mongolian Shamanism music has unique characteristics religious music. What needs explanation is that we will analyze the art of Shamanism from three parts: painting, dance, music. However, these three can not completely separate in Shaman culture system as an integration.
Key words: Horchin; Shamanism art; Shaman culture system; anthropology
故事歌手“江格尔奇”
额尔敦
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：根据调查报告和采访记录，探讨了故事歌手“江格尔奇”的学艺过程、创作轨迹和表演传统。勾勒出史诗《江格尔》的传承和发展的基本脉络。
关键词：蒙古族史诗；《江格尔》；江格尔奇；学艺；创作；表演传统
分类号： J607文献标识码： A文章编号： 1672-9838（2010）02-0036-08
Story Singer “Jianggerch”
Erdun
(Art College of Inner Mongolia University, HohhotInner Mongolia 010010)
Abstract: According to the survey and interview records, this article explores the apprenticeship process, creation track and performance tradition and outlines the basic venation of the inheritance and development of the epic “Jiangger”.
Key words: Mongolian epic; “Jiangger”; Jianggerch ; skill learning; creation; performance tradition
霍尔其格嘎查蒙古族婚礼仪式和婚礼歌现状的调查与研究
姚慧
（中国艺术研究院研究生院，北京 100027）
摘要：内蒙古东乌珠穆沁旗萨麦苏木霍尔其格嘎查蒙古族婚礼的调查报告，记录了此地蒙古族婚礼仪式和婚礼歌的现状，与传统的蒙古族婚礼仪式相比较，目前蒙古族婚礼及婚礼歌有所变化，但只要牧民们用歌声“交换”，交流感情的方式不变，婚俗中蒙古族传统音乐就有可能薪火相传。
关键词：东乌珠穆沁；蒙古族婚礼;婚礼歌曲;变迁
分类号： J602文献标识码： A文章编号： 1672-9838（2010）02-0044-10
Investigation and Research on HurchigVillage Mongolian Wedding Ceremony and Wedding Songs
YAO Hui
(GraduateSchool of ChineseAcademy of Art, Beijing 100027)
Abstract: The investigation report of Mongolian wedding of HurchigVillage, Samai Sumu of East Uzhuumchin Banner has recorded the survival status of Mongolian wedding ceremony and the wedding songs. Comparing to the traditional Mongolian wedding ceremony, the current Mongolian wedding and wedding songs have certain changes, but as long as the herdsmen exchange their emotions in singing, Mongolian traditional music in wedding customs are likely to be kept.
Key words: East Uzhumuchin; Mongolian wedding; wedding songs; changes
浅议文化遗产的历史活态性
——以洗车河镇手工艺文化与内河舶运经济史之关系为例
吴昶
（湖北民族学院艺术学院，湖北 恩施 445000）
摘要：洗车河镇的建筑、木器、髹漆等传统手工艺，与清末至民国期间当地的经济生活关系十分密切，因此也随着商埠文化和舶运经济的兴衰而随之改变。如今，洗车河流域的民族民间手工艺文化已经成为难以再生的文化遗产。实际上，它们正在面临又一轮文化变迁的严峻挑战。文化遗产保护的意义往往不仅在于保护手工艺本身，而且在于其文化与经济生态整体的历史价值和纪念意义。
关键词：湘西；洗车河镇；手工艺；文化遗产；历史价值；舶运文化
分类号： G112文献标识码： A文章编号： 1672-9838（2010）02-0054-06
An Approach to the Living History of Cultural Heritage
——A case study of Xichehe Town crafts culture and its relation to the river transport economic history
Wu Chang
(Art College of Hubei Institute for Nationalities, EnshiCityHubeiProvince 445000)
Abstract: The traditional crafts such as building, carpentry, painting and other in Xichehe Town has close relationship to the local economic life during the time from late Qing Dynasty to the Republic, and therefore it has changed with the change of the commercial port and cultural economic rise and fall. Today, the folk arts and crafts culture in XicheheTown has become a kind of the cultural heritage difficult to be renewed. In fact, it has been facing up to another turn of challenge. The significance of the protection of cultural heritage lies not only in the protection of the art itself, but also in its cultural and historical value of the overall economic and ecological and commemorative significance.
Key words: Western Hunan; XicheheTown; hand crafts; cultural heritage; historical value; ship transportation culture
长角苗礼俗服饰考察
安丽哲
（中国艺术研究院艺术人类学研究中心,北京 100029）
摘要：围绕人生大事而进行的人生礼俗是最为丰富和完善的，使一个社会人通过礼俗仪式拥有了一个新的社会身份，且这种新的身份被整个群体所接受。在这些仪式中，服饰扮演着非常重要的角色。考察了贵州西北部六枝特区长角苗人生中的三大仪礼习俗，即成年礼俗、婚姻礼俗和丧葬礼俗及这些礼俗中所涉及的服饰。
关键词：苗族；民族服饰；礼俗
分类号： G112文献标识码： A文章编号： 1672-9838（2010）02-0060-07
Survey on Changjiao Miao Customs and Costumes
AN Li-zhe
(Art AnthropologyResearchCenter of ChinaAcademy of Art, BeijingChina 100029)
Abstract: Customs is the most abundant and perfect around the rituals of life carried out, and make a social man have adopted a new social identity through ceremonies and this new identity is accepted by the entire group. In these ceremonies, dress plays a very important role. This article investigated the three big ceremonies in the northwest Guizhou Miao life namely, adult etiquette and customs, marriage etiquette and customs and funeral rites and the dress involved in the costums.
Key words: Miao people; national dress; etiquette and customs
行走在“似与不似”之间
——对民族服饰文化保护与创新发展的一点思考
张琬麟
（中国艺术研究院美术研究所，北京 100029）
摘要：服饰由于对人体的保健功能和塑造人的理想的自我外观形象的精神功能，而使之濡染上浓郁的文化色彩。对民族服饰文化的保护，应该包括其原生态的外在形式和内在精神两方面的完整保护；它是民族服饰文化创新发展的基础和前提。而将民族服饰文化推向创新发展的一个可行路径，是让服饰的设计笔触行走在“似与不似”之间。
关键词：服饰；双重功能；文化底蕴；创新
分类号： G112文献标识码： A文章编号： 1672-9838（2010）02-0067-07
Walking between the “Like and not Like”
——Thinking of protection and innovation development of the national costumes
ZHANG Wan-lin
(ChinaAcademy of Fine Arts, Beijing 100029)
Abstract: Costumes has rich cultural flavor because of the health functions of the human body and the shape of the ideal of self-image spirit. The protection of the national costumes should include the integrity protection of their original external form and internal eco-spiritual aspects; it is the base and prerequisite of national dress culture innovation and it is a practical way for the national costumes culture to walk between “Like and not Like”.
Key words: costumes; dual function; culture information; innovation
内蒙古电影六十年“蒙古人”形象扫描
张芸
（内蒙古师范大学传媒学院, 内蒙古 呼和浩特 010022）
摘要：内蒙古电影60年中以“蒙古人”形象为表征所折射出来的蒙古民族的形象塑造，是我们认识“内蒙古电影”创作表意方式的路径之一，从而可以明晰“蒙古民族形象”塑造的流变脉络，进而为内蒙古电影创作提供一种可以依循的表述策略，期待能为提升内蒙古电影自身实力的研究提供一点参考。
关键词：内蒙古电影；创作；形象塑造；“蒙古人”
分类号： J905.2“212”文献标识码： A文章编号： 1672-9838（2010）02-0074-06
Scanning of the Image of “Mongols”in the Films of Inner Mongolia in the Past Sixty Years
ZHANG Yun
(Media Institute of Inner MongoliaNormalUniversity, HohhotInner Mongolia 010022)
Abstract: The refracted image of Mongol in Inner Mongolia films in the past 60 years is one of our ways to understand “Inner Mongolia Film”creative expressions. So we can clearly identify the flow context of “Mongolian national identity”, and then provide a formulation of strategy to follow for film-making of Inner Mongolia, to provide a reference for the research on enhancing the strength of Inner Mongolia films.
Key words: Inner Mongolia film; creation; image; “Mongol”
章家瑞电影中的民俗展现及审美价值
郭芸杉
（中国艺术研究院研究生院，北京 100027）
摘要：很少有导演像章家瑞一样，对一个地方如此钟情。在他为数不多的5部作品中，4部在云南取景，并且其中的3部都展现了当地少数民族的民俗风情。分析《婼玛的十七岁》《花腰新娘》《红河》，探讨章家瑞是如何利用影像，从商业和文化的维度展现少数民族民俗的，以及这类影片的审美价值。
关键词：电影评论；章家瑞，《诺玛的十七岁》；《花腰新娘》；《红河》；民俗；审美价值；商业性
分类号： J901文献标识码： A文章编号： 1672-9838（2010）02-0080-05
The Folk Show and Aesthetic Value in Zhang Jia-rui’s Films
GUO Yun-shan
(GraduateSchool of ChineseAcademy of Arts, Beijing 100027)
Abstract: Few directors likes Yunnan,a place so much interest as Zhang Jia-rui, In four of his five film works, he finds a view in Yunnan for filming, and three of them have demonstrated the local minority ethic customs. Analysis of “The 17-year-old Ruoma”, “Bride of Huayao”“Red River”explores how Zhang Jia-rui makes the use of images, from the dimensions of show business and cultural ethnic folklore, as well as the aesthetic value of such films.
Key words: movie reviews; Zhang Jia-rui; “Norma’s 17-year-old”; “Huayao Bride”; “Red River”; folk; aesthetic value; commercial
论《西西里的美丽传说》的反讽策略
谢云霞
（内蒙古大学文学与新闻传播学院，内蒙古 呼和浩特 010021）
摘要：电影《西西里的美丽传说》的创作者运用了语言反讽、情境或命运反讽、戏剧性反讽等一系列的反讽，既掩盖又表露了自己最强烈的批判情感，使观众从声像表象与自己的真实意图和深层态度的偏离中领悟到了含蓄而深刻的美。
关键词：电影艺术；《西西里的美丽传说》；语言反讽；情境反讽；戏剧性反讽
分类号： J901文献标识码： A文章编号： 1672-9838（2010）02-0085-03
On the Irony Strategy in the Film “Legend of Sicily”
XIE Yun-xia
(College of Literature and Journalism & Communication, Inner MongoliaUniversity, Huhhot Inner Mongolia 010021)
Abstract: In the movie “legend of Sicily,”the author uses language irony, situational irony or fate irony, a series of dramatic irony, covering but showing his emotions of the strongest criticism, so the audience can get implicit and profound beauty from the audio-visual representation and their the true intentions and attitudes deviating from the deep insight.
Key words: film art; “Legend of Sicily”; language irony; situational irony; dramatic irony
论中国现代悲剧观念的萌生
潘薇
（吉林艺术学院戏剧影视学院，吉林 长春 130021）
摘要： “五四”时期，出于现实的需要，新文化思想先锋们在中国大量引进、移植西方悲剧样式，打破了中国传统戏剧中悲喜混合的大团圆情节模式，在中国剧坛催生出话剧这一崭新的艺术样式，并使得悲剧观念与审美得到了推崇与发展。
关键词： “五四”时期；中国现代戏剧；话剧；悲剧观念
分类号： J801文献标识码： A文章编号： 1672-9838（2010）02-0088-04
On the Producing of the Chinese Modern Tragedy Concept
PAN Wei
(TelevisionDramaCollege of JilinArtCollege, ChangchunJilinProvince 130021)
Abstract: In the “5.4”period, for practical needs, the new culture thinking pioneers in China introduced a large number of transplanted Western tragedy styles, breaking a mixed mode of happy circumstances with sorrows and joys of traditional Chinese drama, and gave birth to Chinese modern drama and makes the tragedy and aesthetic ideas be respected and developed.
Key words: “5.4”period; Chinese modern drama; drama; tragedy concept
中国革命题材民族歌剧唱段中女高音的演唱分析
——以《党的女儿》和《白毛女》为例
孙俊钰
（内蒙古师范大学音乐学院，内蒙古 呼和浩特 010010）
摘要：我国民族歌剧艺术，从“五四”新文化运动到解放战争，在动荡的社会环境和艰苦的战争条件下走过了近三十年的历程。新中国成立后，我国革命题材民族歌剧创作达到了新的高潮。比较分析《白毛女》和《党的女儿》中主人公的女高音唱段，以探求演唱者表现艺术作品的情感与思想意义。
关键词：民族歌剧；中国革命题材；女高音；艺术表现；歌剧形象
分类号： J617.2文献标识码： A文章编号： 1672-9838（2010）02-0092-04
Analysis of the Soprano Singing of China’s national opera with the revolutionary theme
——Take“The daughter of the Party”and“White-haired girl”as examples
Sun Jun-yu
(Music College of Inner Mongolia Normal University, Hohhot Inner Mongolia 010010)
Abstract: China’s national opera, from the“May 4th”New Culture Movement to the War of Liberation in the turbulent social environment and the difficult conditions of war, has gone through the course of nearly three decades. Since the founding of New China, the revolutionary subject of China’s National Opera has reached a new climax. Comparative analysis of the soprano aria in“White-haired girl”and “Daughter of the Party,”intends to explore the artist’s emotional performance art and thought.
Key words: National Opera; Chinese revolution theme; soprano; artistic expression; opera image
民族声乐头腔共鸣的位置和气息控制
邹燕
（赤峰学院音乐学院, 内蒙古 赤峰市 024000）
摘要：头腔共鸣作为歌唱中的重要共鸣方式，在声乐教学和声乐理论研究中认识一直比较模糊，致使歌唱和教学中应用头腔共鸣成了一个技术难点。通过对声乐理论的分析和教学实践的总结，提出了民族声乐的歌唱和教学应当进一步加强头腔共鸣的应用，并给出了各声区在头腔中的共鸣位置及控制气息击打在适当位置的方法。
关键词：民族声乐；歌唱技术；头腔共鸣；共鸣位置；共鸣分配；气息方向
分类号： J616.2文献标识码： A文章编号： 1672-9838（2010）02-0096-05
The Location of the Head Cavity Resonance of National Vocal Music and Its Breath Control
ZOU Yan
(ChifengMusicCollege, Chifeng Inner Mongolia 024000)
Abstract: As an important way in singing, the recognition tothe head cavity resonance has been vague so that the using of it in teaching has been a difficult technical problem. This article analyzes the vocal music theory, summarizes the teaching practice, puts forward that national vocal music should further strengthen the head cavity resonance applications, and gives appropriate method to find the area of the resonance in the head cavity for breath control.
Key words: national vocal; singing techniques; the head cavity resonance; resonance position; resonate distribution; breath direction
泰山碧霞祠道教音乐所用曲牌音乐结构研究
林琳 郝亚莉
（1.2.山东泰山学院音乐系，山东 泰安 271000）
摘要：泰山道教音乐是泰山文化的重要组成部分。碧霞祠作为现今泰山道教及泰山道教音乐的主要传承发扬地，至今已有一千多年的历史。多次深入实现的田野调查与走访，认为碧霞祠所用道教音乐曲牌音乐结构与所诵经文的结构、道士的宗教信仰、宗教思想、诵唱风格及斋醮仪式的不同有着密切的关系，使它们之间相辅相承。
关键词：泰山道教音乐；碧霞祠；音乐结构
分类号： J608文献标识码： A文章编号： 1672-9838（2010）02-0101-04
Research on the Music Structure of TaoistBixiaTemple on MountTai
LIN Lin HAO Ya-li
(1.2. Music Department of ShandongTaishanCollege, Tai’an ShandongProvince 271000)
Abstract: The Mount Tai Taoist music is an important part of the MountTai culture. Bixia Temple of Taoism, as main spot for the present and the Taoist music transmission, has a history of thousand years. Several in-depth field research and visits has concluded that the music structure used in the BixiaTaoistTemple is closely related to the chanting music in the structure of the text, Taoist religion, religious thought, chant style and praying ceremony of.
Key words: Taoist music; BixiaTemple; music structure
我国丧葬仪式中的“哀乐”在多元文化背景下的演变
吴涤
（丽水学院艺术学院音乐系， 浙江 丽水 323000）
摘要：哀乐是和葬礼有关的仪式音乐。内容有对死者的悼念，对亲属的安慰、寄托指引亡魂回到祖先居住的地方去安息的情怀等。随着人类社会文明的不断进步，政治、经济、文化等诸多方面的快速发展，多元文化背景下的哀乐在当今表现形式上也发生了巨大变化。不同的审美角度、文化传统以及仪式音乐的社会功能成为哀乐在多元文化背景下的演变的因素。
关键词：仪式音乐；哀乐；多元化；传承；变化；
分类号： J649文献标识码： A文章编号： 1672-9838（2010）02-0105-03
The Evolution of the “Mourning Music” in the Funeral Ceremonies of China’under the Multi-cultural Background
WU Di
(Music Department of LishuiArtCollege, LishuiZhejiangProvince 323000)
Abstract: The dirge is the music related to a funeral ceremony. The contents include the memory of the dead, the comfort to relatives, expressing the mood for the dead to go to the places where their ancestors rest and so on. With the continuous progress of human civilization, political, economic, cultural and many other aspects of the rapid development of multi-cultural background, the funeral music in the contemporary form of expression has changed dramatically. Different aesthetic points of view, cultural traditions and social functions of ritual music have become the factors for the evolution of funeral music in the multi-cultural background.
Key words: ceremony music; funeral music; diversification; heritage; change
浅论二胡叙事曲《新婚别》二度创作中弓法的技术把握
王垚磊
（内蒙古大学艺术学院， 内蒙古 呼和浩特 010010）
摘要：对二胡叙事曲《新婚别》这首乐曲进行二度创作的过程中，弓法、揉弦、滑音等演奏技术根据音乐情绪的准确应用，将极大地丰富二度创作的表现张力。当然，演奏者要经过大量有针对性的技术训练，才能使二度创作成为一种“心手相应”的表达。
关键词：二胡叙事曲；《新婚别》；二度创作；弓法；技术把握
分类号： J632.21文献标识码： A文章编号： 1672-9838（2010）02-0108-05
An Approach to the Grasp of Bow Techniques in the Second Creation of the Erhu ballad, “Newly-weds Departure”
WANG Yao-Lei
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: In the process of the second creation of the Erhu ballad, “Newly-weds departure”this song for the process, the bow, Vibrato, the accurate using of the bow, string and portamento will greatly enrich the performance of the second creation of tension. Of course, the players have to go through a lot of technical training process to reach an expression of a second creation as“hand and heart Corresponding”.
Key words: Erhu Ballade; “Newly-weds departure”; second creation; bow playing; technical grasp
“活动因素”在西方现代派艺术中的流变
靳彦
（内蒙古大学艺术学院美术系， 内蒙古 呼和浩特 010010）
摘要：未来派画家推动了“活动因素”在绘画和雕塑中的运用和创新，把事物从二度空间引入到三度空间，再到加入流动时间的四度空间，这种探索不但打破了造型艺术是静态艺术的特性和传统雕塑的封闭性空间，而且极大地丰富了现代艺术的种类，也为20世纪西方现代派艺术的发展提供了新的可能和启示。
关键词：西方现代派艺术；绘画；活动雕塑；未来主义
分类号： J110.99文献标识码： A文章编号： 1672-9838（2010）02-0113-05
Rheology of the“Activity Factor”in the Western Modern Art
JIN Yan
(Art Department, ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The futurist painters has promoted the use and innovation of the“activity factor”in painting and sculpture, and introduces the two-dimensional to three-dimensional space, to join the flow time of the fourth dimension, this exploration not only broke the closed space that traditional sculpture art is static, modeling art is the art of characteristics and greatly enriched the types of modern art. It offers new possibilities and inspiration for the development of modern art in the 20th Century.
Key words: western modern art; painting; mobile sculpture; futurism
浅析大型壁画《创作·收获·欢乐》的构图特点
万国英
（青海民族大学艺术系， 青海省 西宁市 810007）
摘要：北京饭店大型壁画《创作·收获·欢乐》是刘秉江先生于上世纪80年代创作的精品。其构图特点有：圆和方的构图弥补了墙体的限制；整体构图弥补了对空间视觉距离的限制；圆形构图合乎八卦图中阴阳鱼太极图等。
关键词：大型壁画；刘秉江；《创作·收获·欢乐》；构图；特点
分类号： J218.6文献标识码： A文章编号： 1672-9838（2010）02-0118-03
Analysis of the Composition Features the Large-scale Mural “reation·Harvest·Joy”
WAN Guo-ying
(Art Department of Qinghai University for Nationalities, Xining inghai Province10007)
Abstract: The mural “reation·Harvest·Joy”in Beijing Hotelis was created by Mr. Liu Bingjiang in the 80s of last century and it is a creative boutique. The composition features: the round and square structure makes up the wall restrictions; overall composition makes up the visual space constraints; circular composition adapts to the fish out of Yin and Yang Eight Diagrams of Taiji chart.
Key words: large-scale murals; Liu Bingjiang; “reation·Harvest·Joy”; composition; features
试论招贴广告的视觉语言传播
李鸿明
（广州番禺职业技术学院, 广东 番禺 511483）
摘要：招贴广告的生命在于创意，它能使招贴的主题突出并具有深刻的视觉内涵，招帖广告的具象要素固有视觉语言，是实现抽象要素设计理念要素的前提。抽象要素设计理念要素，是在客观固有要素的基础上通过创意加工、形式处理及艺术表现来实现的。
关键词：招贴；广告艺术；视觉要素；信息传播
分类号： J524.3文献标识码： A文章编号： 1672-9838（2010）02-0121-03
Approach to the Visual Language Transmission of Poster Advertisements
LI Hong-ming
(Guangzhou Panyu Vacational College, Panyu Guangdong 511483)
Abstract: The life of the poster advertisement lies in its creation. It makes them have outstanding subjects and profound visual connotations. The inherent elements of poster advertisements are visual language, and it is the premise of the realization of the abstract elements for design elements. Abstract elements design idea elements and they are realized ion the basis of an innovative process, forms processing and artistic expression.
Key words: poster advertisements; advertising art; visual elements; information
内蒙古广告业营销策略初探
顾谦倩
（内蒙古大学艺术学院艺术设计系， 内蒙古 呼和浩特 010010）
摘要：未来的内蒙古广告业需要适应企业的创新需求，通过参与企业产品和生产工艺过程创新，直接介入企业的市场分析、产品分析、用户分析、营销策划和广告策划，选择与确定企业的销售重点，从而实现企业将草原文化融入品牌的市场创新，并为企业制定出能适应市场变化的整体营销广告战略和策略。
关键词：内蒙古；广告业；文化传播；营销策略
分类号： J524.3文献标识码： A文章编号： 1672-9838（2010）02-0124-04
On the Marketing Strategies of the Advertising Industry of Inner Mongolia
GU Qian-qian
(Art Design Department, ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The future Inner Mongolia advertising industry needs to adapt to innovation of enterprises, through participation in enterprise products and production process innovation, and directly involve in business market analysis, product analysis, user analysis, marketing plan and advertising plan, select and determine the company’s sales focus so as to achieve the market innovation of melting the grassland culture into brands and develop the overall marketing strategy and advertising strategy adapting to market changes for the enterprises.
Key words: Inner Mongolia; advertisement industries; culture transmission; marketing strategies
小议蒙古民间舞中查玛舞影响因素
安洁
（深圳群众艺术馆，广东 深圳 518049）
关键词：蒙古民间舞；藏传佛教；查玛舞；影响因素
分类号： J722.222“212”文献标识码： A文章编号： 1672-9838（2010）02-0128-03
Comment on the Chama Mongolian Folk Dance Factors in Mongolian Folk Dance
AN Jie
(ShenzhenMassArtCenter, ShenzhenGuangdongProvince 518049)
Key words: Mongolian folk dance; Tibetan Buddhism;Chama dance;inflence factors
中国北方民族文化研究论文索引（1991）
其其格
（中央民族大学图书馆，北京100081）
关键词： 论文索引；中国北方民族；文化研究；民族学研究
分类号： Z87文献标识码：D文章编号： 1672-9838（2010）02-0131-06
Index of Research papers on Northern China Culture 1991
Checheg
(Library of Central University for Nationalities, Beijing 100081)
Key words: paper Index; northern China nationalities; culture studies; ethnic studies