《内蒙古大学艺术学院学报》2010年第1期目录
中国北方游牧民族的建筑造型艺术及历史发展轨迹………………………………刘朝晖(5)
科尔沁蒙古族金银饰品制作的田野调查……………………………………………徐 英(12)
科尔沁萨满“过关”仪式的田野考察………………………………乌仁其其格 陈永春（20）
论延边朝鲜族非物质文化遗产的传承……………………………………………张钟月（26）
蒙古族题材版画艺术创作人才培养刍议…………………………………………包玉荣（31）
浅谈科尔沁版画与学院版画教学的交融……………………………………………宝 军(35)
关于蒙古族题材原创版画基地创建的设想………………………………………曹雪飞(38)
论“融”与“容”
——由“中西合璧”看现当代中国画的创新与畸变…………………………赵媛（41）
论官布的绘画艺术…………………………………………………………………李际同(45)
近二十年来内蒙古油画创作中的蒙古人形象……………………………………孙与平（50）
高校中国画教育现状及教学探索…………………………………………………付光辉(55)
非枕——浅谈当代陶艺中瓷枕的创作………………………………………………刘洁(58)
元代墓室壁画人物服饰形制探析…………………………………………………徐文静（62）
论服装设计中艺术与技术的结合…………………………………………………崔金玲（68）
传统色彩语言在现代设计中的再创造……………………………………………朱书华（71）
草原岩画中的自然崇拜……………………………………………………………冯军胜（75）
北方岩画与草原文化心理……………………………………………………………班澜（83）
当代蒙古族音乐文化的多元结构及其处境……………………………………博特乐图（91）
钢琴触键的基本原理分析……………………………………………………………秦 川（98）
单弦牌子曲腔词结合关系探微……………………………………………………王宇琪（105）
多尼采蒂咏叹调《偷洒一滴泪》的艺术解读………………………………………史永清（110）原生态唱法与声乐教学………………………………………………………………朱菁（115）
强化教师职业写作技能的实验性研究
——以二部轮唱歌曲写作教学为个案………………………………………易希平（119）
蔡元培“美育”思想提出的原因及当代意义………………………………………肖阳（122）
浅析电影音乐与画面的统一
——以美国电影《泰坦尼克号》为例………………………………………郭怡然（125）
谈彝剧《曼嫫与玛若》创作的戏剧冲突设计……………………………………杨怀敏（130）飞翔中凝聚的民族精神
——试论蒙古舞中的飞翔情结…………………………………………………何佳（134）
《内蒙古大学艺术学院学报》2010年第1期英文目录
The Architecture Sculpture Art of Chinese Northern Nomadic Peoples and Its Historical Development………………………………………………………………………LIU Zhao-hui（5）
The Fieldwork of Horchin Mongolian Gold and Silver Jewelry Making……………XU Ying（12）
Investigation of Horchin Shaman Ceremony of “Pass A Barrier”
……………………………………………………Urenchemeg，CHEN Yong-chun （20）
On the Inheriting and keeping of Intangible Cultural Heritage of Yanbian Korean People……………………………………………………………………ZHANG Zhong -yue（26）
Ann Approach to the Creation Personnel Training for Woodcut Art of Mongolian Themes…………………………………………………………………………BAO Yu-rong (31)
An Approach to the Blend of Horchin Woodcut and Academy WoodcutTeaching……BAO Jun(35)
Conceiving of the Establishment of the Base of Woodcut Creation of Mongolian Themes
…………………………………………………………………………………CAO Xue-fei（38）
On the “Blending” and “Tolerance”—— Viewing the contemporary Chinese painting innovation and distortion from the point of view of “East meets West”
……………………………………………………………………………………ZHAO Yuan(41)
On the Painting Art of Gonbu………………………………………………………LI Ji-tong(45)
Mongolian Images in the Inner Mongolia Oil Painting Creation in the Past Two Decades…………………………………………………………………………SUN Yu-ping(50)
Exploring the Status of Education and Teaching of Chinese painting at College………………………………………………………………………FU Guang-hui （55）
Non-Pillow——An Approach to the Creation of Porcelain PillowContemporary Ceramics………………………………………………………………………………LIU Jie（58）
An Approach to the Shape and Structure of the Dress of the People in Yuan Dynasty Tomb Murals …………………………………………………………………………XU Wen-jing（62）
On the Combination of Art and Skills in Costume Design………………………CUI Jin-ling(68)
The Re-creation of the Traditional Color Language in the Modern Design
…………………………………………………………………………………ZHU Shu-hua（71）
Nature Worship of the Prairie Rock Painting………………………………FENG Jun-sheng（75）Northern Rock Painting and Grassland Cultural Psychology ……………………BAN Lan（83）
The Multi-element Structure of the Contemporary Mongolian Music Culture and Its Position
…………………………………………………………………………………………Botolt（91）
The Analysis of the Basic Principles of Piano Key Touch………………………QIN Chuan （98）Exploration of the Combination Relationship of the Music and Words of Chorded Pai-zi-qu ………………………………………………………………………WANG Yu-qi（105）
The Artistic Interpretation of Donizetti’s Aria“Una furtiva lagrima”…………SHI Yong-qing（110）Original Singing and Vocal Music Teaching………………………………………ZHU Jing(115)
Experimental Study of Strengthen the Teaching Profession of Writing Skills
——A case study of teaching of song writing of two rounds of singing……YI Xi-ping（119）The Reason for Cai Yuan-pei to Put Forward “Aesthetic Education” and Its Contemporary Significance……………………………………………………………………XIAO Yang（122）
An Approach to the Unity of Music and Pictures of the Movies
——A case study of the American movie“Titanic”……………………GUO Yi-ran (125)
On the Design of the Dramatic Conflict in Yi Drama “Man-mo and Ma-ruo”
……………………………………………………………………………YANG Huai-min(130)
The National Spirit Cohered in Flying
——On the flying plot in Mongolian dance…………………………………HE Jia(134)
《内蒙古大学艺术学院学报》2010年第1期发表论文的中英文摘要、关键词
中国北方游牧民族的建筑造型艺术及历史发展轨迹
刘朝晖
（大连大学美术学院，辽宁 大连 116622）
摘要：中国北方游牧民族的建筑造型艺术，包括了居所与城市建筑、祭祀与宗教建筑、陵墓建筑三个方面。在历史的发展轨迹中，一方面具有各个民族特色的建筑艺术特点，另一方面又融入中原地区的艺术风格，形成多样化的艺术特征和文化内涵，在中国建筑史上占有重要的地位。
关键词：北方游牧民族；造型艺术；建筑历史；发展轨迹
分类号：K879文献标识码：A文章编号：1672-9838（2010）01-0005-07
The Architecture Sculpture Art of Chinese Northern Nomadic Peoples and Its Historical Development
LIU Zhao-hui
(Art College of Dalian University, DalianLioaningProvince 116622)
Abstract: The architecture sculpture art of Chinese northern nomadic peoples include the three aspects: residence and city buildings, sacrifice and religious buildings, tomb construction. In the history of the development, on the one hand, they have the architectural characteristics of various ethnic groups, on the other hand, they absorb the artistic style of the Central Plains and form a diversity of artistic characteristics and cultural connotations, play an important role in the history of Chinese architecture.
Key words: northern nomadic people; sculpture art; architectural history; development track
科尔沁蒙古族金银饰品制作的田野调查
徐英
（内蒙古大学艺术学院， 内蒙古 呼和浩特 010010）
摘要：分析田野调查的结果认为，蒙古草原上的金银制品，特别是金银饰品的制作、流通、价格等，其供求关系完全是自然调节的。因为科尔沁草原上的人们对于传统手工艺是认可的；作为这种传统手工艺载体的人——银匠师傅其繁衍模式，依然是师徒相授；蒙古族首饰的材料、款型、工艺、色泽、纹样等，基本保留了具有浓郁草原文化气息的审美判断、价值观念。蒙古族饰品制作也有渐变的趋向，但变化的速度并不快。
关键词：科尔沁蒙古族；金银首饰；工艺技法；传承
分类号：J526.1文献标识码：A文章编号： 1672-9838（2010）01-0012-08
The Fieldwork of Horchin Mongolian Gold and Silver Jewelry Making
XU Ying
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: The analysis of the results of fieldwork holds that the gold and silver jewelry production, circulation, price on Mongolian grassland as well as their supply and demand is completely natural regulations. The recognition of the traditional crafts of the people on the Horchin grassland is still the recognition of the silversmiths who hold the tradition of apprenticeships. Mongolian jewelry materials, section type, technology, color, pattern, etc., basically preserve the aesthetic judgments and values of the grasslands with rich cultural atmosphere. Mongolian jewelry making also has the trend of gradual change, but the pace of change is not fast.
Key words: Horchin Mongolian; gold and silver jewelry; craft techniques; heritage
科尔沁萨满“过关”仪式的田野考察
乌仁其其格1.陈永春2.
（1.内蒙古师范大学社会学民俗学学院，内蒙古 呼和浩特 010022;
2.内蒙古民族大学蒙古学学院，内蒙古 通辽 028041 ）
摘要：科尔沁蒙古萨满“过关”仪式是蒙古萨满承袭过程中的一个重要环节，是通过对参加“过关”仪式者进行法术检验，确认其萨满身份和强化其法力的一种民间宗教仪式。对“过关”仪式的田野考察，描述了该仪式的基本程序及过程、并对入巫仪式中的人物角色、入巫过程的构成要素和功能等进行了分析。
关键词：人类学；仪式现象；科尔沁萨满；过关仪式；田野考察
分类号：K892.3“212”文献标识码：A文章编号：1672-9838(2010)01-0020-06
Investigation of Horchin Shaman Ceremony of “Pass A Barrier”
Urenchemeg1. CHEN Yong-chun2.
(1.College of Sociology and Folklore, Inner MongoliaNormalUniversity, Huhhot Inner Mongolia 010022;
(2.2.College of Mongolian Studies of Inner MongoliaNationalUniversity, Tongliao Inner Mongolia 028041)
Abstract : Horchin Shaman Ceremony of “Pass A Barrier” is an important part of the Mongolian Shaman adaptation. It is a kind of folk religious ceremony to determine its identity and strengthen its magic by checking the participating “Pass A Barrier” ceremony. The investigation of “Pass A Barrier” ceremony describes the basic procedure and process of the ritual and analyzes in the wizard-admittance ceremony, the construct elements and function.
Key words: anthropology; ceremony phenomenon; Mongolian Shaman; “Pass A Barrier” ceremony; investigation
论延边朝鲜族非物质文化遗产的传承
张钟月
（延边大学人文社会科学学院，吉林 延吉 133002）
摘要： 朝鲜族非物质文化遗产面临人才流失、传承断代的危险。一些非遗项目的传承和发展举步维艰，濒危状况在短时期内难以改变，培养传承人面临的最大难题是资金问题。为此，政府要采取合理有效的统筹规划，学者深入研究和引导，并引起民众的关注和参与。只有先深化对非遗概念和内涵的认识，在重视的基础上才能谈及传承。
关键词：朝鲜族；非物质文化遗产；传承；延边；朝鲜族农乐舞
分类号：G05文献标识码：A文章编号： 1672-9838（2010）01-0026-05
On the Inheriting and keeping of Intangible Cultural Heritage of Yanbian Korean People ZHANG Zhong -yue
(College of Humanities and Social Sciences of YanbianUniversity, Yanji Jilin 133002)
Abstract: Korean intangible cultural heritage is facing the risk of a brain drain, heritage dating. Some non-genetic inheritance and development project is difficult to be carried on and the endangered status can not be changed in a short time. The biggest challenges in training of personnel is funding. The Government should take reasonable and effective overall planning, scholars make in-depth research and guidance, and cause public concern and participation. Only deepening the understanding of the concept and meaning of non-genetic heritage, can we talk about inheritance on the basis of attaching importance to it .
Key words: Korean; intangible cultural heritage; heritage; Yanbian; Korean farmers dance
蒙古族题材版画艺术创作人才培养刍议
包玉荣
（内蒙古大学艺术学院美术系，内蒙古 呼和浩特 010010）
摘要：稳定、扶持自治区蒙古族题材版画艺术创作队伍，培养新一代的蒙古族题材版画艺术创作人才，应该完善、有效实施对创作人才培养的短、中、长期培养方案，树立学、产、研一体的创作人才培养目标，以解决蒙古族题材版画艺术创作人才的流失、断层等问题。
关键词：蒙古族题材；版画艺术；人才培养
分类号：J237文献标识码：A文章编号： 1672-9838（2010）01-0031-04
Ann Approach to the Creation Personnel Training for Woodcut Art of Mongolian Themes
BAO Yu-rong (ArtDepartment of Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: We should maintain the stability of woodcut art creation of Inner Mongolia Autonomous Region, train a new generation of the creation personnel training for woodcut art of Mongolian themes, perfect and effectively implement the short, medium and long term training plan of personnel, and the object of personnel training as learning, production, research to solve the issues of the brain drain, fault in the creation personnel training for woodcut art of Mongolian themes.
Key words: Mongolian themes; woodcut art; personnel training
浅谈科尔沁版画与学院版画教学的交融
宝军
（内蒙古民族大学艺术学院美术系， 内蒙古 通辽市 028042）
摘要：上个世纪60年代，科尔沁草原上的哲里木版画闻名全国，如今在它的影响下又有一批崭新的版画群体悄然而起，这就是科尔沁地区的学院版画。其题材、表现形式都与科尔沁版画有着不同之处，也给科尔沁地区的版画事业带来了无限的生机。
关键词：版画；科尔沁；创作；继承
分类号：J237文献标识码：A文章编号：1672-9838（2010）01-0035-03
An Approach to the Blend of Horchin Woodcut and Academy WoodcutTeaching The Matrix and Variant of “Asar”BAO Jun
(Art Department of ArtCollege of Inner MongoliaNationalUniversity, Tongliao Inner Mongolia 028042)
Abstract: In the 60’s of the last century, Jirem woodcut was known throughout the country. Now under its influence, a group of brand-new woodcut group has been quietly developed. This is the Horchin academy woodcut Mongolian. Both its subject and form have differences from Horchin woodcut. However, it has brought unlimited engraving vitality woodcut career of Horchin region. Key words: woodcut; Horqin; creation; inheritance
关于蒙古族题材原创版画基地创建的设想
曹雪飞
（包头师范学院美术学院，内蒙古 包头 014030）
摘要：内蒙古版画一直以其独特的民族地域特色而备受关注。创建一个蒙古族题材原创版画基地的设想的前提是要建立新时期蒙古族版画创作体系，要有实践基地的建构，诸如创建版画基地核心区——工作坊、陈列馆；创建版画学院教育实习基地、信息传播中心、艺术群体。使之形成一个稳固的、良性循环的民族版画创作产业链。
关键词： 版画；蒙古族；题材；原创；版画基地
分类号： J237文献标识码： A文章编号： 1672-9838（2010）01-0038-03
Conceiving of the Establishment of the Base of Woodcut Creation of Mongolian Themes
CAO Xue-fei
(Art Institute of BaotouTeachers College of, BaotouInner Mongolia 014030)
Abstract: Inner Mongolia woodcut has its own unique national regional characteristics and has attracted much attention. The precondition of the establishment of the base of woodcut creation of Mongolian themes is to establish Mongolian woodcut creation system of the new era with the construction of practice base, such as the the core area of woodcut base —— workshops, exhibition hall; establish educational practice base of woodcut college, information dissemination center, art groups so as to form a solid, virtuous cycling national woodcut creation industry chain.
Key words: woodcut; Mongolian; theme; original; woodcut base
论“融”与“容”
——由“中西合璧”看现当代中国画的创新与畸变
赵媛
（内蒙古大学艺术学院美术系， 内蒙古 呼和浩特 010010）
摘要：从传统艺术的特色角度、绘画媒介的拓展角度、盲目追求前卫的极端化角度来论述“融”与“容”是中国画 “中西合璧”变革中产生创新和畸变的根本原因，如何面对中国画的变革，使之既不缺失民族性又可顺应世界艺术发展大趋势，是我们的当务之急。
关键词： 中国画；西方美术；融合；创新；畸变；中西合璧
分类号： J202文献标识码： A文章编号： 1672-9838（2010）01-0041-04
On the “Blending” and “Tolerance”
——Viewing the contemporary Chinese painting innovation and distortion from the point of view of “East meets West”
ZHAO Yuan
(Arts Department of ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The ultimate cause of the production of innovation and distortion in the reform of “East meets West” is the “Blending” and “Tolerance” from the perspective of the characteristics of traditional arts, the expansion of the painting media, and the blind pursuit of avant-garde extreme. It is our top priority to know how to face Chinese painting changes, so that it does not lacks the national character and follows the world trend of art development.
Key words: Chinese painting; western art; integration; innovation; distortion; “East meets West”
论官布的绘画艺术
李际同
（内蒙古大学艺术学院，内蒙古 呼和浩特010010）
摘要：官布绘画创作早期以油画为主，后期以中国画为主，不同画种之间的相互借鉴，使他的绘画呈现出中西融合的艺术特色。
关键词：官布；绘画艺术；油画；国画；中西融合；艺术特色
分类号：J203文献标识码： A文章编号： 1672-9838(2010)01-0045-05
On the Painting Art of Gonbu
LI Ji-tong
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)[HJ1]\;[HJ]
Abstract: The early drawings of Gonbu are mainly oil paintings and his late works are mainly Chinese painting. With different painting styles as mutual reference, his paintings show a fusion of Chinese and Western artistic characteristics.
Key words: Gonbu; painting art; oil painting; Chinese painting; Chinese and Western integration; artistic features
近二十年来内蒙古油画创作中的蒙古人形象
孙与平
（内蒙古大学艺术学院美术系，内蒙古 呼和浩特 010010）
摘要：在近20年的内蒙古油画创作中，创作者更多地关注了人的现实生活，表现在他们作品中的蒙古人具有神秘、孤独而又有现代感的特点。
关键词： 当代；内蒙古；油画创作；人物形象；蒙古人；特点
分类号：J211.25文献标识码： A文章编号： 1672-9838(2010)01-0050-05
Mongolian Images in the Inner Mongolia Oil Painting Creation in the Past Two Decades
SUN Yu-ping
(Art Department of ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: In the past 20 years in Inner Mongolia oil paintings creation, the artists have paid more attention to the people’s real life and manifested the Mongolian people’s mysterious, lonely and modern features.
Key words: contemporary; Inner Mongolia; oil painting creation; Mongols; features
高校中国画教育现状及教学探索
付光辉
（内蒙古民族大学艺术学院，内蒙古 通辽 028000）
摘要：中国画是高校美术教育的重要课程，其现状为：进入高校学习中国画的学生难说其对中国画有较为清晰的认识，在培养训练中也存在问题。而加强高校中国画教学中文化素养的培养，结合倡导学习地域民间美术，则是高校中国画教学改革的有效探索。
关键词：高等学校；美术教育；中国画；教学研究
分类号： J20-05文献标识码：A文章编号： 1672-9838(2010)01-0055-03
Exploring the Status of Education and Teaching of Chinese painting at College
FU Guang-hui
(Art College of Inner MongoliaNationalUniversity, Tongliao Inner Mongolia 028000) Abstract: Chinese painting is an important course of college art education programs. The status quo:it is hard to say that the college students studying Chinese painting have a more clear understanding of Chinese painting and there is also problems in its training. Strengthening the training of cultural qualities in college Chinese painting teaching, combined with learning of regional folk art are the effective exploration in the reform of university Chinese painting teaching. Key words: college; art education; Chinese painting; teaching research
非枕——浅谈当代陶艺中瓷枕的创作
刘洁
（内蒙古工业大学建筑学院，内蒙古 呼和浩特 010010）
摘要：非枕，它所要表达的就是人的精神理念，枕的功能甚至退到没有。当代陶艺家对于瓷枕的创作无疑是在重塑瓷枕，这是对中国古代文化的致礼，也是当代人对自身精神生活的梳理与表达。
关键词：当代陶艺；创作；瓷枕；非枕
分类号：J314.8文献标识码：A文章编号： 1672-9838(2010)01-0058-04
Non-Pillow-An Approach to the Creation of Porcelain PillowContemporary Ceramics
LIU Jie
(School of Architecture, Inner Mongolia University of Technology, HohhotInner Mongolia 010010)
Abstract: Non-pillow expresses the spirit of people and the function of pillow has retreated to none. Contemporary ceramic artists are undoubtedly re-creating the porcelain pillow in the remodeling. This is a respect to the Chinese ancient culture, and the carding and expression of contemporary spiritual life of people.
Key words: contemporary ceramics; creation; porcelain pillow; non-pillow
元代墓室壁画人物服饰形制探析
徐文静
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：从元朝中后期北方地区墓室壁画中所描绘的人物服饰形象，并结合出土文物的佐证，反映出元代蒙古族服饰形制基于北方游牧民族传统之上所受中原汉地风俗的影响。期间出现不少新的变化。表现在其冠帽、袍服、靴子的特点上。
关键词：元代；墓室壁画；蒙古族人物；服饰；形制
分类号：K879.41文献标识码：A文章编号： 1672-9838（2010）01-0062-06
An Approach to the Shape and Structure of the Dress of the People in Yuan Dynasty Tomb Murals
XU Wen-jing
(Art College of Inner Mongolia University, HohhotInner Mongolia 010010)
Abstract: The dress of the people in late Yuan Dynasty tomb murals in the north combined with the evidence of archaeological finds reflect that the shape and structure of the dress of the Yuan Dynasty Mongolian traditional were impacted by the Han customs in the North Central Plains with the basic northern nomadic style with many new changes in the characteristics of their caps, robes, boots.
Key words: Yuan Dynasty; tomb murals; Mongolian characters; clothing; shape and structure
论服装设计中艺术与技术的结合
崔金玲
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：服装设计是一种实用艺术。一件成功的设计作品，既离不开“工”也离不开“艺”。在服装设计的教与学中要树立“工”与“艺”完美结合的设计观念，重视服装设计专项训练，做到服装款式、结构与工艺的有机结合。
关键词：服装设计；艺术；技术；结合
分类号：TS941.2文献标识码：A文章编号：1672-9838（2010）01-0068-03
On the Combination of Art and Skills in Costume Design
CUI Jin-ling
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: The costume design is a practical arts. A successful design is inseparable either from the “skills”or from the “art.” In the teaching and learning of costume fashion design, we should establish a design concept of “workers” the perfect combination of the “skills” or from the “art” and pay attention to special training in fashion design, so that clothing style, structure and process can be organically combined.
Key words: costume fashion design; art; skills; combine
传统色彩语言在现代设计中的再创造
朱书华
（无锡工艺职业技术学院，江苏 宜兴 214206 ）
摘要：现代创新推动传统色彩发展，传统积淀促进现代色彩发展，现代设计提升传统色彩价值。在现代设计中运用传统色彩，是对所采集信息进行理性分解、归纳、组合和再创造的过程，是一种理性分析、感性认识的思维活动。
关键词：传统色彩语言；现代设计；色彩应用
分类号：J063文献标识码：A文章编号： 1672-9838（2010）01-0071-04
The Re-creation of the Traditional Color Language in the Modern Design
ZHU Shu-hua
(Wuxi Technical Vocational Institute, YixingJiangsuProvince 214206)
Abstract: The modern innovation forces the development of the traditional colors, the traditional sedimentary promotes the development of modern colors, the contemporary design upgrades the value of traditional colors. Using traditional colors in modern design is a process to make a rational decomposition, induction, combination and re-creation of the collected information and it is thinking activity of rational analysis and perceptual knowledge.
Key words: traditional color language; modern design; color application
草原岩画中的自然崇拜
冯军胜
（内蒙古社会科学院 内蒙古 呼和浩特 010010）
摘要：与人类生存关系最密切的大自然是原始宗教最早的崇拜对象。对于草原文化建构而言，自然崇拜和神灵观念是非常重要的文化形态，对草原人的思维方式、社会组织及世俗生活都影响深刻，而且时间绵延久远，一直至今。而岩画大多是伴随祈神仪式产生的。
关键词：草原岩画；自然崇拜；原始宗教
分类号： J206文献标识码： A文章编号： 1672-9838（2010）01-0075-08
Nature Worship of the Prairie Rock Painting
FENG Jun-sheng
(Inner MongoliaAcademy of Social Sciences, Huhhot Inner Mongolia 010010)
Abstract: Nature, which has the most closely relationship with human existence is the earliest worship object of the original religion. For the construction of grassland culture, the concept of nature worship and deities is very important cultural patterns and it has long been profoundly influencing the way of people’s thinking, social organization and the secular life. Rock paintings are mostly accompanied by praying ceremony.
Key words: grassland rock paintings; nature worship; original religion
北方岩画与草原文化心理
班澜
（中共广东省委党校 广东 广州 810000）
摘要：民族的文化心理是在生存活动的实践中不断改善和提高的，也是在漫长的历史生活中，一代又一代人的生存实践中积淀的，是文化继承和生命遗传的结晶。可以说，民族文化的特性乃体现为民族心理的特性。探讨草原文化心理特性，循照感觉的、伦理的与理智的三方面心理构因来考察，以构成较完整的心理结构。
关键词：北方岩画；北方草原民族；心理基质；文化心理
分类号：J206文献标识码：A文章编号： 1672-9838（2010）01-0083-08
Northern Rock Painting and Grassland Cultural Psychology
BAN Lan
(CPCGuangdongPartySchool, GuangzhouGuangdongProvince 810000)
Abstract: The national cultural psychology is continuously improved and advanced in the practice of human survival activities; it is also the crystallization of cultural inheritance and life heredity. It can be said that the characteristics of national culture are reflected in the characteristics of national psychology. It is important to discuss the psychological characteristics of grassland culture through the feeling, ethical and rational psychology to study and construct a more complete psychological structure.
Key words: Northern rock paintings ; northern steppe peoples; psychological base; cultural psychology
当代蒙古族音乐文化的多元结构及其处境
博特乐图
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要： 当代蒙古族音乐文化内部，形成了以专业音乐家创作的音乐为主要内容的精英音乐，以民俗传统音乐为内容的民间音乐，以草原体裁通俗音乐、流行音乐为内容的大众音乐三元并存状态。它们既相互碰撞抵触，又彼此包容交叉，共同构成了蒙古族当代音乐的整体结构。随着社会文化环境的变迁，社会主导音乐的内容和方向也几经改变，精英音乐、民间音乐、大众音乐在不同的层次、不同的时代，呈现为不同的格局。
关键词：蒙古族；精英音乐；民间音乐；大众音乐；主导音乐
分类号：J607.“212”文献标识码：A文章编号：1672-9838（2010）01-0091-07
The Multi-element Structure of the Contemporary Mongolian Music Culture and Its Position Botolt
Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010 )
Abstract: The contemporary Mongolian music culture itself has three main parts: the essential music with its main content of the works of the professional musicians, to folk music with traditional folk music as the main content, popular music with the main content of popular music of grassland themes and music in fashion. The contents of the three elements coexist. They not only contradict to each other, but also cross-tolerant with each other, together form the overall structure of Mongolian contemporary music. With the social and cultural changes in the environment, the leading social music content and direction change several times, the essential music, folk music, popular music exist at different levels, different times, show different patterns.
Key words: Mongolian; essential music; folk music; popular music; leading music
钢琴触键的基本原理分析
秦川
（同济大学传播与艺术学院， 上海 200092）
摘要：钢琴触键技术中作用力与作用距离的相互关系及其运用中的转化，包含了触键技术的基本原理，其核心就是通过作用力的集中达到对琴键行程的控制。
关键词：钢琴演奏；触键技术；断连时刻；制音器；集中
分类号：J624.1文献标识码：A文章编号： 1672-9838（2010）01-0098-07
The Analysis of the Basic Principles of Piano Key Touch
QIN Chuan
(College of Communication and Art, TongjiUniversity, Shanghai 200092)
Abstract: The relationship between the applied force and range of action and its conversion in piano key touching technology includes the basic principles of the key touch technology. The core is the control of the keyboard stroke achieved through the concentration of applied force.
Key words: piano playing; key touch technology; disconnection time; damper; focus
单弦牌子曲腔词结合关系探微
王宇琪
（内蒙古大学艺术学院音乐系， 内蒙古 呼和浩特 010010）
摘要： 单弦牌子曲作为北京传统的曲艺音乐形式，自产生以来便以其独特的艺术魅力广泛传唱于京津地区，显示出鲜明的地方特点。结合统计学的方法，通过对单弦牌子曲大量曲目唱腔与唱词结合关系的分析，探讨这一曲种在腔词关系中所体现出的地方性。
关键词： 单弦牌子曲；腔词结合关系；腔格；字调
分类号：J644文献标识码：A文章编号： 1672-9838（2010）01-0105-05
Exploration of the Combination Relationship of the Music and Words of Chorded Pai-zi-qu
WANG Yu-qi
(Music Department, ArtCollege of s Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: As a traditional Beijing opera musical form, Chorded Pai-zi-qu has been very popular in the Beijing-Tianjin region since its inception with its unique artistic charm, showing distinctive local characteristics. This article analyzes Combination relationship of the music and words of a large number of chorded Pai-zi-qu with statistical methods to explore the local features of reflected in this kind of relationship.
Key words: Chorded Pai-zi-qu; relationship of the music and words; music pattern; the tone
多尼采蒂咏叹调《偷洒一滴泪》的艺术解读
史永清
（内蒙古大学艺术学院音乐系，内蒙古 呼和浩特 010010）
摘要： 多尼采蒂的歌剧《爱的甘醇》中颇具代表性的男高音唱段是咏叹调《偷洒一滴泪》，从音乐本体的旋律、曲式结构等方面的分析中不难看出，作曲家将浪漫主义思潮引入歌剧艺术之中，反映出多尼采蒂作品的民族主义倾向。
关键词：多尼采蒂；《偷洒一滴泪》；音乐解析；艺术处理
分类号：J652.5文献标识码：A文章编号： 1672-9838（2010）01-0110-05
The Artistic Interpretation of Donizetti’s Aria “Una furtiva lagrima”
SHI Yong-qing
(Music Department of College of the ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The Aria “Una furtiva lagrima” is rather typical of Donizetti’s opera “Love of diethylene glycol”. It is not difficult to see from the melody music ontology and structure that the composer introduces the romanticism into opera art, reflecting the nationalist tendencies in Donizetti works.
Key words: Donizetti; Una furtiva lagrima; music analysis; artistic treatment
原生态唱法与声乐教学
朱菁
（北方民族大学音乐舞蹈学院， 宁夏 银川 750021）
摘要：一直以来，“原生态民歌”与“原生态唱法”引起了学术界和音乐教育界的关注，也产生了一些争议。而在非物质文化遗产保护工程和普及音乐教育的过程中，对这些概念作出科学界定是音乐教育界急需完成的任务。
关键词：音乐文化；原生态唱法；教育传承；社会传承
分类号：J616.2文献标识码： A文章编号：1672-9838（2010）01-0115-04
Original Singing and Vocal Music Teaching
ZHU Jing
(College of Music and Dance of Northern NationalUniversity, Yinchuan Ningxia 750021 )
Abstract: “Original folk songs”and “original singing” have been arousing the concern of academics and music education circles and have created some controversy. In the process of non-material cultural heritage protection projects, and general music education, it is an urgent task for the education world to give definition to these concepts.
Key words: music culture; original singing; educational heritage; social heritage
强化教师职业写作技能的实验性研究
——以二部轮唱歌曲写作教学为个案
易希平
(曲靖师范学院音乐舞蹈学院, 云南 曲靖 655011)
摘要：为使教学摆脱枯燥和说教，从师范教育实际出发，探索出实用价值较高的二部轮唱写作技法，并在教学中加以渗透性运用，从而强化学生的职业写作技能，以适应未来基础音乐教育发展的需要。
关键词：复调音乐课；教师；职业技能；轮唱歌曲；写作教学
分类号：J642.59文献标识码： A文章编号：1672-9838(2010)01-0119-03
Experimental Study of Strengthen the Teaching Profession of Writing Skills
——A case study of teaching of song writing of two rounds of singing
YI Xi-ping
(Music and Dance Institute , Qujing Teacher”s College, QujingYunnanProvince 655011)
Abstract: In order to get rid of dull and didactic teaching, normal education should set out from the reality to explore the practical writing techniques of the two rounds of singing with high value, and use it in teaching with permeability, thus strengthen the student's professional writing skills to meet the need for the future development of basic music education.
Key words: polyphony course; teachers; vocational skills; round singing songs; teaching of writing
蔡元培“美育”思想提出的原因及当代意义
肖阳
（上海音乐学院，上海 200031）
摘要：蔡元培先生是我国系统研究和介绍美学并进行一系列前瞻性实践的重要学者，他在清末民初提出“美育”思想，并陆续受到一些有志之士的关注。而在我国强调以“和谐世界”理念发展的新时代，蔡元培倡导的美和美育不再会是人类生活的一种点缀和奢侈。
关键词：蔡元培；美育思想；当代意义
分类号：G40-014文献标识码：A文章编号： 1672-9838（2010）-0122-03
The Reason for Cai Yuan-pei to Put Forward “Aesthetic Education” and Its Contemporary Significance
XIAO Yang
(ShanghaiMusicCollege, Shanghai 200031) [HJ1]\;[HJ]
Abstract: Mr. Cai Yuan-pei is an important scholar who made systematic research and introduced aesthetics and carried out a series of forward-looking practice. He put forward the idea of “Aesthetic Education” in the late Qing Dynasty and early republic of China and gradually attracted the attention of some ambitious people. In the new era of our country emphasizing “harmonious world”, Cai Yuan-pei's advocacy of beauty and aesthetic education will no longer be an embellishment and luxury of human life.
Key words: Cai Yuan-pei; “Aesthetic Education”; contemporary significance
浅析电影音乐与画面的统一
——以美国电影《泰坦尼克号》为例
郭怡然
（内蒙古大学艺术学院附属中专，内蒙古 呼和浩特 010010）
摘要：电影音乐因其独特的艺术特性、多样化的功能以及多元化的样态成为电影艺术中不可或缺的重要组成部分。电影音乐与电影画面相互渗透，相互结合，相互丰富充实的特性，从而大大增强了电影和音乐双方的艺术感染力。
关键词：电影音乐；视听艺术；音画统一；《泰坦尼克号》
分类号：J905文献标识码： A文章编号： 1672-9838（2010）01-0125-05
An Approach to the Unity of Music and Pictures of the Movies
——A case study of the American movie “Titanic”
GUO Yi-ran
(Subsidiary Secondary of ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: Because of its unique features, a variety of functions, and diverse art patterns, film music has become an indispensable part of film art. Music and motion pictures of a film mutually penetrate and integrate and enrich each other, thereby greatly enhance the art appeal of both film and music.
Key words: film music; audio-visual art; unity of music and picture; “Titanic”
谈彝剧《曼嫫与玛若》创作的戏剧冲突设计
杨怀敏
（云南省楚雄州民族艺术剧院彝剧团，云南 楚雄 675000 ）
摘要：以彝族文化中具有代表性的两个主题“曼嫫与玛若”和“阿诗玛”为例，对比其中的“化藤”、“化神”情节，分析同一母题的彝族传说和据此编写的剧本之间的异同，论证此类剧本创作时，“强化人物之间的冲突”是取得成功的一个重要技巧。
关键词： 彝族戏剧；《曼嫫与玛若》；改编；戏剧冲突
分类号： J825文献标识码： A文章编号：1672-9838(2010)-0130-04
On the Design of the Dramatic Conflict in Yi Drama “Man-mo and Ma-ruo
YANG Huai-min
(Yunnan Chuxiong National Art Troupe in Yi Theater, Chuxiong 675000)
Abstract: This article takes the two representative themes “Man-mo and Ma-ruo” of Yi culture to compare the plot of “converting into the cane,”and “converting of spirits” in the two plays analyze the similarities and differences between the Yi Legend and written play of the same motif to demonstrate that an important skill for success of this kind of creation is the “enhanced conflict betweenthe characters”.
Key words: Yi drama; “Man-mo and Ma-ruo”; adaptation; dramatic conflict
飞翔中凝聚的民族精神
——试论蒙古舞中的飞翔情结
何佳
(内蒙古大学艺术学院，内蒙古 呼和浩特 010010)
摘要：蒙古民族借鹰、大雁、白海青等鹰类和鸟类来表达和融合自己的情感，逐渐形成了一种特有的“飞翔”情结，并把这种复杂的难以用语言准确表达的情感和精神转化成舞蹈的形式，可以称之为蒙古民族特有的舞蹈语言。充分表现了生生不息的生命意识和民族精神的延续、传承和发展。
关键词：蒙古族；舞蹈；飞翔；民族精神
分类号： J722.22“212”文献标识码：A文章编号：1672-9838(2010)01-0134-03
The National Spirit Cohered in Flying
——On the flying plot in Mongolian dance
HE Jia
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: Mongolian people express and melt their feelings using eagles, wild geese, hawks and other birds and gradually developed a unique “flying” complex. And they transform this complex difficult to accurately be expressed in words into emotional and spiritual form of dance, it can be called unique Mongolian dance language. It fully demonstrates consciousness of life and endless continuation, heritage and development of the national spirit.
Key words: Mongolian people; dance; flying; national spirit