《内蒙古大学艺术学院学报》2013年第4期中英文目录
（1）艺术人类学的三种类型 ………………………………………………………………………（荷兰）威尔弗雷德·范·丹姆 著，王拥军 张周瑞 译，李修建 校(5)
（2）澳大利亚原住民艺术：氏族符号，民族象征与感知体验………………………………
………………………………（美国）罗伯特·莱顿 著，关祎，刘雅超 译，关祎 校(11)
（3）一个古老村庄的民俗传统
——山西省洪洞县小河村“拆楼”民俗调研………………………………张西昌(24)
（4）近代汉族民间服饰变革的政治与文化解 ……李洪坤1. 崔荣荣2. 姜飘飘3. (41)
（5）凤凰古城银饰旅游产品市场调查…………………焦成根1，陈剑2，刘雯3，唐慧4(46)
（6）生活中的企盼
——“河南张泥娃娃”解读……………………………………………………卢铭(52)
（7）东北民间雕塑的艺术特征………………………………………………………张景明(57)
（8）浅论蒙古族题材动画影片的场景设计…………………………………………王睿志(62)
（9）浅谈瓷枕的装饰技法……………………………………………………………刘 洁(67)
（10）当代日本岩彩画创作的现状………………………………………………… 索丽娅(72)
（11）阐释与“误读”
——从彝族“苏尼”单面鼓音乐考察引发的田野思考……………………申 波(76)
（12）传承与演变
——以甘珠尔胡尔奇说唱为例…………………………………… ………通拉嘎(84)
（13）口头艺术的点滴感
——简论蒙古族传统音乐文化脉络及认知视野……………………周·特古斯(88)
（14）评《表演、文本、语境、传承——蒙古族音乐的口传性研究》……………何 雪(93)
（15）试论中国大陆音乐美学发展中自律论的缺失 ………………………………王双杰(99)
（16）中国音乐作品中的线性结构…………………………………………………赵曦君(105)
（17）唐山地区评剧团的调查与研究………………………………………………刘蓓璇(110)
（18）二人台传统剧目《走西口》艺术表现形式的流变…………………………张玉兰(118)
（19）贡桑诺尔布致建斋书札考释…………………………………………………李俊义(122)
（20）2013年中国艺术人类学国际学术研讨会综述………………………………安丽哲(127)
本刊2013年总目录…………………………………………………………………(133)
·补白·…………………………………………………………………… (23)(56)(104)(132)
Three Types of Art Anthropology …………………………Written by Wilfred Van Dam (Netherlands),Translated by WANG Yong-jun, ZHANG Zhou-rui; Proofreaded by LI -Xiu jian(5)
Australian Aboriginal Art: Clan Mark, National Symbol And Perceptual Experience…………………………………………………………………………………Written by Robert Leiden(Britain), Translated by GUAN Yi, LIU Ya-chao; Proofreaded by GUAN Yi(11)
The Folk Tradition in An AncientVillage
——Folk Investigation on “Demolition” in Xiaohe Village, Hongdong county, Shanxi Province
………………………………………………………………………………ZHANG Xi-chang(24)
Political And Cultural Interpretation of Han Folk Clothing’s Reform in Modern Times
………………………………………………LI Hong-kun; CUI Rong-rong; JIANG Piao-piao (41)
Market Research of Silver Tourism Products in Phoenix AncientTown
…………………………………………JIAO Cheng-gen; CHEN Jian; LIU Wen; TANG Hui(46)
Expectation in the Life
——Interpretation of "Henan Zhang Clay Doll"……………………………………LU Ming(52)
The Artistic Features of The Northeast Folk Sculpture………………ZHANG Jing-ming(57)
On the Scene Design of Mongolian Animated Film………………………WANG Rui-zhi(62)
On the Decorative Technique of Porcelain Pillow…………………………………LIU Jie(67)
The Enlightenment of The Contemporary Japanese Rock Painting Creation……………………………………………………………………………SUO Li-ya(72)
Interpretation And “Misreading”
——Thinking from Yi-nationality’s “Suni” Single-drum Music Survey……………SHEN Bo(76)
Inheritance And Evolution
——In the Case of Ganjur Hugurci's Rap……………………………………………Tonglaga(84)
Thoughts on Verbal Art
——On the Cultural Context of Mongolian Traditional Music And Cognitive Horizons…………………………………………………………………………ZHOU Tegusi(88)
Review of “Performance, Text, Context, Inheritance
——On Oral Transmission of Mongolian Music” …………………………………HE Xue(93)
On the Lack of Self-discipline Theory in the Development of China Mainland Music Aesthetics…………………………………………………………………WANG Shuang-jie(99)
The Linear Structure in Chinese Music Works………………………………ZHAO Xi-jun(105)
Investigation and Research on Ping Opera Troupe in Tangshan……………LIU Bei-xuan(110)
The Artistic Form Evolution of Er’rentai Traditional Repertoire “Zou Xi Kou” …………………………………………………………………………ZHANG Yu-lan(118)
Textual Research of the Letter of Gongsennorbo to Jianzhai……………………LI Jun-yi(122)
Summary of International Symposium on 2013 China Art Anthropology……AN Li-zhe(127)
Volume lndex for 2013………………………………………………………………………（133）
艺术人类学的三种类型
（荷兰）威尔弗雷德·范·丹姆1.著王拥军2.张周瑞3.译李修建4.校
（1.荷兰莱顿大学艺术史学系，荷兰莱顿市999025 ；2.丽水学院，浙江丽水323000；
3.兰州文理学院，甘肃兰州730000；4.中国艺术研究院，北京10029）
摘要：本文主要讨论不同的“人类学”理念是如何导致了对“艺术人类学”的不同理解。研究小型非西方社会的通行人类学观念影响下的艺术人类学关注这些社会或文化中的视觉艺术。人类学有时也被视为一种独特的方法，可以适用于任何文化中的社会文化现象，包括其艺术形式。这两种人类学观亦可被作为更具广泛性的跨学科人类学研究的补充。按照这种观念，艺术人类学成为人类存在艺术的全景审视。如此，艺术人类学和世界艺术研究同义，被构建为全球性和跨学科的视觉艺术研究。
关键词： 人类学；视觉艺术；类型
Three Types of Art Anthropology
Written by Wilfred Van Dam (Netherlands)1.
Translated by WANG Yong-jun2., ZHANG Zhou-rui3.; Proofreaded by LI -Xiu jian4.
(1.School of Art History,Leiden University,Netherlands,999025;2.Li Shui University,Li Shui,Zhe jiang,323000;3.Lan zhou University of Art and Science,Lan zhou,Gan su,73000;4.Chinese National Academy of Arts,Bei jing,100029)
Abstract: This article mainly discusses how different concepts of “anthropology” lead to the different understandings of “art anthropology”. It researches the art anthropology under the influence of the provailing anthropology nothion in the small non-western society and pays attention to the visual art in the society or art. Sometimes anthropology is regarded as a unique method that can be applied to the social and cultural phenomenon in any culture, including its art form. Both anthropology concepts can also be used as a more extensive interdisciplinary anthropology supplement. According to this concept, art anthropology becomes a panoramic view of the art of human existence. So, art anthropology and the study of the world art are synonymous and are built as a global and interdisciplinary study of visual art.
Key words: Anthropology; Visual art; Type
澳大利亚原住民艺术：
氏族符号，民族象征与感知体验
(英国）罗伯特·莱顿1 .著关祎2 .刘雅超3.译关祎校
（1.杜伦大学人类学系，英国999020；2.中国艺术研究院，北京100029；3.内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘要：大卫·特纳描述了20世纪60年代后期他如何在格鲁特岛上通过使用地理测绘、定位氏族界限、记录宗族亲属关系等方法完成了对当地音乐的初步研究 。15年后，他返回该岛继续对当地音乐进行更细致的研究，并向之前采访过的乐师询问他所唱的曲子是如何创作的。一方面，文化传统中的能者大贤善用其智力资源构建物质世界。他们构建出作用于不同感官体验集合之上的明喻、暗喻以及其他一些比喻， 同时构想出关于世间万物运行“规律”的因果假设。通过在实际环境中的应用，它们成为了社会秩序的一种认定。另一方面，这种创作行为产生自一个超越于创作者控制的世界，这个世界决定着他们的命运。
关键词：澳大利亚原住民艺术；氏族符号；民族象征；感知体验
Australian Aboriginal Art: Clan Mark, National Symbol
And Perceptual Experience
Written by Robert Leiden(Britain)1.,Translated by GUAN Yi2., LIU Ya-chao3.,
Proofreaded by GUAN Yi
(1.Antropology Department, 999020;Durham University; 2.Chinese National Academy of Arts, Beijing, 100029; 3.College of Arts, Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: David Turner described how he completed a preliminary study on the local music on Groote Eylandt in the late 1960s, through the use of geographic mapping, the positioning of clan boundaries, the records of clan kinship and other methods. Fifteen years later, he returned to the island to carry out more detailed research on local music and interviewed the former musicians he asked before how to create his song. On one hand, those talents in the cultural traditions made the best use of the intellectual resources to build the material world. They built simile, metaphor and other parables used in the collection of different sensory experiences, and conceived causal hypothesis about the rules of how the universe works. Through the application in the real environment, they became the cognizance of social order. On the other hand, this creative act arose from the world beyond a creator's control. This world determines their fate.
Key words: Australian aboriginal art; Clan mark; National symbol; Perceptual experience
一个古老村庄的民俗传统
——山西省洪洞县小河村“拆楼”民俗调研
张西昌
（西安美术学院，陕西西安710065）
摘要：小河“拆楼”是流传于山西省洪洞县小河村内数百年之久的一种民俗活动，该民俗以惩恶扬善、主张正义的人文精神为内核，以迷幻的化妆手段展现出血腥暴力的视觉效果，传达出乡间民众朴素的伦理观念和表达方式。其中也包含了乡民自娱自乐的精神话语权和审美追求，这种带有半封闭特征的民间文艺形式，是乡民对于村落生活及其文化资源不断创造和维护的结果。
关键词：村落；小河“拆楼”；民俗信仰；自娱自乐；文化空间
The Folk Tradition in An Ancient Village
——Folk Investigation on “Demolition” in Xiaohe Village, Hongdong county, Shanxi Province
ZHANG Xi-chang
(Xi’an Academy of Fine Arts, Xi’an, Shanxi, 710065)
Abstract: “Demolition” has been a popular folk activity in Xiaohe village, Hongdong county, Shanxi province for hundreds of years. The core of this activity is to advocate the good and evil, justice, humanism. And the way of its psychedelic makeup means to show the visual effects of bloody violence, in order to convey the simple ethical concepts and expressions between country people, which also includes the discourse right and aesthetic pursuits of villagers’ self-amusement spirit. This folk art forms, with a semi-enclosed character, is the result of the villagers’ constant creation and maintenance of village life and its cultural resources.
Key words: Village; “Demolition” in Xiaohe village; Folk beliefs; Self-amusement; Cultural space
近代汉族民间服饰变革的政治与文化解读
李洪坤1. 崔荣荣2. 姜飘飘3.
（1.2.3.江南大学汉族服饰文化与数字创新实验室，江苏无锡214122）
摘要：服饰作为民族文化的重要标志,是一个民族在特定时代的文化风俗表象,是政治、经济、外来文化、风俗习惯等因素的综合表现。清末民初是一个新旧交替的时期，汉族民间服饰面貌受政治革新、西风东渐的影响，在秉承民族特色的基础上发生了诸多变革，服饰文化亦随变革的进程注入了新的活力。
关键词：近代；汉族服饰；政治变革；西风东渐；服饰文化
Political And Cultural Interpretation of
Han Folk Clothing’s Reform in Modern Times
LI Hong-kun; CUI Rong-rong; JIANG Piao-piao
(Han Chinese Clothing Culture and Digital Innovation Lab,
Jiangnan University, Wuxi,Jiangsu, 214122)
Abstract: As an important symbol of national culture, clothing is a representation of cultural custom in a specific era and is the comprehensive performance of politics, economy, foreign culture, customs and other factors. The end of the Qing Dynasty is a transitional period. Affected by political reform and the spread of western cultures into the east, the appearance of Han folk clothing has undergone a lot of changes on the basis of adherence to national characteristics. And along with the reform process, clothing culture was injected with new vitality.
Key words: Modern times; Han clothing; Political reform; Spread of western cultures into the east; Clothing culture
凤凰古城银饰旅游产品市场调查
焦成根1.陈剑2.刘雯3.唐慧4.
(1.2.3.4湖南师范大学，湖南长沙410081)
摘要：苗族银饰产品是湖南省凤凰古城旅游产品市场的重要组成部分。从凤凰古城银饰旅游产品的品种和成色、经营模式、消费群体等进行实地调研，对凤凰古城苗族银饰旅游产品的市场现状进行系统记录，以期对凤凰古城银饰旅游产品的开发，乃至实现更大范围的旅游文化产业增值，产生一定的推动作用。
关键词：苗族银饰，旅游产品，凤凰古城
Market Research of Silver Tourism Products in PhoenixAncient Town
JIAO Cheng-gen; CHEN Jian; LIU Wen; TANG Hui
(Hunan Normal Univeristy, Changsha, Hunan,410081))
Abstract: Miao silver ornaments play an important part of tourism products in Phoenix ancient town in Hunan. Based on the spot investigation of the variety, the fineness, business model, consumer groups, and other aspects of the silver tourism products in Phoenix ancient town, this article makes a system record of the current situation of Miao silver tourism products market, to play a certain promoting role in the development of the silver tourism products in Phoenix ancient town, as well as to achieve a greater range of appreciation of tourism culture industries.
Key words: Miao silver ornament; Tourism products; Phoenix ancient town
生活中的企盼
——“河南张泥娃娃”解读
卢铭
（滨州医学院医学人文学院，山东烟台264003）
摘要：黄河三角洲的民间艺术品“河南张泥娃娃”，是发自民众心灵深处，满足着人们精神需求的艺术作品。它以物化的形态方式，诠释了当地农民祈子祈福的美好愿望。“河南张泥娃娃”的彩绘，用笔流畅，线条简练，色调热烈、鲜明，表现的题材也从不同角度表达了对美好生活的向往和祈盼。它独到的型制和色彩，不但展现着独具特色的艺术魅力。还缓解了人们精神的紧张，抚慰了人们的心灵，成为人们生活中不可缺少的寄托情怀的艺术品。
关键词：黄河三角洲；民间艺术 ；河南张泥娃娃
Expectation in the Life
——Interpretation of "Henan Zhang Clay Doll"
LU Ming
(College of Medical Humanities, Binzhou Medical University, Yantai, Shandong, 264003)
Abstract: The folk artwork "Henan Zhang Clay Doll" in the Yellow River Delta comes from the soul of the people to meet the spiritual needs of the people. The way of its materialized form interprets the local farmers' good wishes of son and good fortune. "Henan Zhang Clay Doll" is painted with smooth and simple lines and warm and bright colors. The theme also expresses the desire and pray for a better life from different angles. Its unique shape and color not only demonstrate a unique artistic charm, also ease the people's mental tension, soothe the people's hearts and become an indispensable artwork to have people's feelings sustenance.
Key words: The Yellow River delta; Folk arts; Henan Zhang Clay Doll
东北民间雕塑的艺术特征
张景明
（大连大学美术学院，辽宁大连116622）
摘要：东北民间雕塑有其悠久的历史，经过长期的发展历程，至今已非常成熟，所涉内容丰富多彩，包括骨雕、角雕、冰雕、面塑、泥塑、石雕、蛋雕等，这些雕塑作品的内容多是反映吉祥如意、长命健康、富贵有余、儿孙满堂等方面的题材，用于民间传统节日、传统宗教活动或作为民族饰品等。造型生动有趣，流传广泛，代表了东北地区民众的传统文化和日常活动。
关键词：东北地区；民间雕塑；题材；形式特征
The Artistic Features of The Northeast Folk Sculpture
ZHANG Jing-ming
(College of Fine Arts, Dalian University, Dalian, Liaoning, 116622)
Abstract: Northeast folk sculpture has its long history. After a long course of development, it has been very mature and rich in the involved contents, including bone carving, corner carving, ice carving, dough modelling, clay, stone carving, egg carving, etc. whose contents mostly reflect good luck, longevity and health, riches and honor, children and grandchildren and other themes used in the folk festivals, traditional religion activities, or as ethnic jewelry etc.The modelling is vivid, interesting, widely spread, and represented as the northeast people’s traditional culture and daily activities.
Key words: Northeast area; Folk sculpture; Theme; Form feature
浅论蒙古族题材动画影片的场景设计
王睿志
（内蒙古师范大学美术学院动画系，内蒙古呼和浩特010022）
摘要：动画片的场景设计是构成动画片中视觉表现的重要元素之一，场景对影片风格的塑造、环境氛围的烘托、视觉效果的表现，都产生深刻的影响。场景设计的主要目的是展现影片时空、烘托角色表现、营造环境气氛，最终起到加强视觉感染力的艺术效果。少数民族有着诸多与汉族不同的生活习惯、宗教信仰、文化语言、居住地域等差别，所以对少数民族题材动画的场景设计也要充分考虑其特殊要求。
关键词：动画场景；蒙古族元素；景观；少数民族艺术风格
On the Scene Design of Mongolian Animated Film
WANG Rui-zhi
(Animation Department,College of Arts, Inner Mongolia Normal University, Hohhot, Inner Mongolia, 010022)
Abstract: The scene design constitutes an important element of visual expression in the animation. The scene has a profound impact on the portrait of the film style, the foil to the environment and atmosphere, and the performance of visual effects. The main purpose of scene design is to show the space of films, to foil the role performance, to build environment and atmosphere, and ultimately to enhance the artistic effect of the visual appeal. The custom, religion, culture and language, and living region of ethnic minorities are quite different from those of Han, so the animation scene design of ethnic theme should take full account of their special requirements.
Key words: Animation scene; Mongolian elements; Landscape; Artistic style of ethnic minority
浅谈瓷枕的装饰技法
刘洁
（内蒙古工业大学建筑学院艺术设计系，内蒙古呼和浩特010010）
摘要：瓷枕在中国的陶瓷艺术中是一个非常独特的艺术种类，为陶艺领域的视野拓展，提供了大量的实物资料。仅就瓷枕的装饰工艺一点而论，其装饰手法的发展史即是中国古陶瓷历史发展的一个缩影。历朝历代的陶工们，将不同时期新颖时尚的装饰手法，运用到瓷枕的创作中，充分显示出瓷枕的不同时代风貌，也正因为如此，瓷枕才有如此顽强蓬勃的生命力，展现出功能与形意、图案与造型、艺术与观念的完美结合，呈现出多姿多彩的艺术形式。
关键词：瓷枕；成形；胎装饰；釉装饰
On the Decorative Technique of Porcelain Pillow
LIU Jie
(Art and Design Department, School of Architecture,
Inner Mongolia University of Technology, Hohhot, Inner Mongolia, 010010)
Abstract: Porcelain pillow is a very unique artistic kind in China pottery art, and provides a large amount of materials to expand the vision of pottery horizon. Only from the viewpoint of the decoration of porcelain pillow, the history of its decorative techniques is a microcosm of the development of China ancient ceramic history. Dynasties of the potters applied the fashionable decorative techniques at different periods to the creation of porcelain pillow, so as to fully show the different styles of the times. Because of this, porcelain pillow is of such tenacious and vigorous vitality, and shows the perfect combination of function and significance, pattern and shape, art and conception in order to present a colorful art form.
Key words: Porcelain pillow; Figuration; Body decoration; Glaze decoration
当代日本岩彩画创作的现状
索丽娅
（日本东京斯派兰斯文化交流中心，日本东京1730005）
摘要：日本当代的岩彩画作品，由于使用了高科技合成的新岩彩画材料，在材料和技法上，相对于当代中国画的材料与技法，都有很大的不同。深入研讨日本高科技新岩彩画的材料和其在创作中的技法表现，可以引发当下的中国画创作者对新绘画材料的关注与思考，并对新技法的探索投注热情。同时，亦可探索在中国画创作中，将日本新岩彩画材料与技法与中国画材料与技法有机结合，以探索新画风出现的可能。
关键词：岩彩画；新材料；新技法；中国画；结合与探索
The Enlightenment of The Contemporary Japanese Rock Painting Creation
SUO Li-ya
(Tokyo Sipailansi Cultural Exchange Center, Tokyo, Japan, 1730005)
Abstract: Due to the use of new high-tech synthetic rock painting materials, Japanese contemporary rock painting works is quite different from contemporary Chinese painting in materials and techniques. This article makes a further discussion on Japanese new high-tech rock painting materials and their techniques in the creation, which can arouse Chinese painting creators' attention and consideration of the new painting materials to devote their enthusiasm to explore new techniques. Meanwhile, in the exporation, the combination of the new materials and techniques in Japanese rock painting and those in Chinese painting provides the possibility of appearance of the new style.
Key words: Rock painting; New material; New technique; Chinese painting; Combination and exploration
阐释与“误读”
——从彝族“苏尼”单面鼓音乐考察引发的田野思考
申波
（云南艺术学院，云南昆明650500）
摘要：在传统的彝族社区中，“毕摩”作为精神领袖和文化传人这一社会角色，他们在祭祀过程中的行为方式早已引起学界的广泛关注，各路学者分别从不同的学术立场获得了众多的成果。但针对施巫仪式的“苏尼”这一社会角色的研究成果却相对较少，从艺术人类学立场进行专题研究的成果更是处于空白。正是在这样的背景下，本专题立足艺术人类学的学科方法，依托田野的视角，对云南彝族楚雄地区“苏尼”的行为方式进行了专题研究，特别对其“施仪”过程中所使用的标志性“法器”单面鼓的社会功能进行了音乐学意义上的识读，并对彝族单面鼓这一田野现象的历史脉络进行了“误读”式的梳理，意在说明，在人类文化的创造中，许多“另一种声音的言唱”方式常常是我们仍很陌生的领域，有待各路学人的关注。
关键词：彝族“苏尼”；行为方式；单鼓音乐；祖灵崇拜
Interpretation And “Misreading”
——Thinking from Yi-nationality’s “Suni” Single-drum Music Survey
SHEN Bo
(Yunnan Arts University, Kunming,Yunnan, 650500)
Abstract: In the traditional Yi communities, “Bimo” is a social role of spiritual leader and cultural descendant. Their behavior in the worship has caused widespread concern in academic circles, and the brightest scholars have received numerous achievements from different academic standpoints. But the research of spell-performing ritual “Suni” is relatively less. Moreover, the thematic research result from an art anthropological standpoint is even a blank. Based on the art anthropology approach and from the field perspective, this context carries on thematic research on “Suni” behavior way in Chuxiong area in Yunnan, especially on the musicological sense of reading of the social function of the iconic “musical instruments”--- single drum in the process of the “instrument performance”. The “misreading” of the history of this field phenomenon—single drum in Yi nationality intends to illustrate that, in the creation of human culture, many “singing in another voice” approaches are still unfamiliar and are subject to the attention of all scholars.
Key words: Yi-nationality’s “Suni”; Behavior way; Single-drum music; the Worship of Ancestral Soul
传承与演变
——以甘珠尔胡尔奇说唱为例
通拉嘎
（呼和浩特市民族学院，内蒙古呼和浩特市010051）
摘要：胡尔奇的知识和技艺通过传承而获得，也通过传承而得以延续。由于社会文化背景以及口头艺术本身的特点，在其传承过程中出现变异也是必然的。甘珠尔在继承传统的过程中，一方面模仿着师傅的演唱风格、创作技法以及伴奏手法，另一方面为了适应其自身所处的环境，不断地对自己进行调整，从而来掌握和积累更多的知识与技艺，完善着自己的说唱艺术。
关键词：胡尔奇；传承；演变
Inheritance And Evolution
——In the Case of Ganjur Hugurci's Rap
Tonglaga
(Hohhot University for Nationalities, Hohhot, InnerMongolia, 010051)
Abstract: Hugurci's knowledge and skills were acquired and perpetuated through inheritance. Due to social cultural background and the characteristics of verbal art, it is inevitable that mutation occurs in the process of inheritance. In the process of the traditional inheritance, on one hand, Ganjur imitated teacher's singing style, creative techniques and accompaniment skills. On the other hand he constantly adjusted himself in order to adapt to the environment, to master and accumulate more knowledge and skills, and to improve his own rap art.
Key words: Hugurci; Inheritance; Evolution
口头艺术的点滴感悟
——简论蒙古族传统音乐文化脉络及认知视野
周·特古斯
（四川省乐山师范学院，四川乐山614000）
摘要：本文从蒙古族文化思想史的视角对传统音乐文化的脉络和特征进行宏观地概括，并对这一脉络所产生背后的文化交融现象加以描述。与此同时，还阐释了如何建构蒙古族传统音乐文化的整体视野等问题。
关键词：蒙古族；口头表演；脉络；认知视野
Thoughts on Verbal Art
——On the Cultural Context of Mongolian Traditional Music And Cognitive Horizons
ZHOU Tegusi
(Leshan Normal University, Leshan, Sichuan, 614000)
Abstract: From the perspective of the history of Mongolian culture ideas, this article macroscopically summarizes the context and characteristics of traditional music culture, and describes the culture blending phenomenon behind its context. At the same time, it also explains how to construct the Mongolian traditional music culture as a whole vision.
Key words: Mongolia; Oral performance; Context; Cognitive horizon
评《表演、文本、语境、传承
——蒙古族音乐的口传性研究》
何雪
(内蒙古大学艺术学院音乐系，内蒙古呼和浩特010010)
摘要：蒙古族传统音乐的最基本特征是口传性，要想从根本上理解蒙古族音乐，就必须先从它的口传性入手。“口传音乐”是指口头编创、口头表演、口头传播、口头传承的音乐，从此意义上讲，蒙古族传统音乐体裁都属于口传音乐范畴，即蒙古族传统音乐便是口传音乐。《表演、文本、语境、传承——蒙古族音乐的口传性研究》一书恰是从蒙古族音乐的口传性特点切入，通过对表演、文本、语境、传承四个着眼点展开论述，从而对蒙古族音乐的口传性进行分析与阐释的。
关键词：表演；文本；语境；传承；蒙古族传统音乐；口传性研究
Review of “Performance, Text, Context, Inheritance
——On Oral Transmission of Mongolian Music”
HE Xue
(Music Department, College of Arts, Inner Mongolia Univeristy, Hohhot. InnerMongolia, 010010)
Abstract: The most basic features of Mongolian traditional music is oral transmission. In order to fundamentally understand the Mongolian music, you must first start with its oral transmission. “Oral music” refers to oral choreography, oral performance, oral transmission, oral inheritance of music. In this sense, genre of Mongolian traditional music belongs to oral music category. Namely Mongolian traditional music is oral music. The book “Performance, Text, Context, Inheritance – On Oral Transmission of Mongolian Music” starts from the characteristics of oral transmission of Mongolian music, makes the discussion on the basis of performance, text, context, inheritance four focuses, and carries on an analysis and interpretation of oral transmission of Mongolian music.
Key words: Performance and text; Context and inheritance; Mongolian traditional music; Research on oral transmission
试论中国大陆音乐美学发展
中自律论的缺失
王双杰
（包头师范学院音乐学院，内蒙古包头014030）
摘要：作为一种研究音乐规律的方法，自律论音乐美学在诞生之初就面临强大的挑战，但随着时间的推移，被越来越多的人所接受，并在20世纪后逐渐散发出自身的魅力。随着自律论音乐美学在中国大陆传播的日益深入，本文在对中国大陆音乐美学发展脉络梳理的基础上认为其传播具有必然性。
关键词：音乐美学；自律论；必然性
On the Lack of Self-discipline Theory in the
Development of China Mainland Music Aesthetics
WANG Shuang-jie
(Music Faculty, Baotou Normal College, Baotou, Inner Mongolia, 014030)
Abstract: As a method of the research on the music rules, self-discipline Music Aesthetics faced a strong challenge in the beginning of its birth. But as time goes on, it is accepted by more and more people, and gradually exudes its own charm in the 20th century. With the deep spread of self-discipline Music Aesthetics in China mainland, this article considers that there is an inevitability for its spread on the basis of combing the development context of China mainland Music Aesthetics.
Key words: Music aesthetics; Self-discipline Theory; Necessity
中国音乐作品中的线性结构
赵曦君
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘要：本文从中国音乐的线性结构分析出发，分别从线性结构的改变、简、繁化旋律、同宗民歌、突破调性组织的线条流动、“东学西渐”与中西合璧几方面进行论证，简述了中国音乐中具有本国特点的一些变化、发展旋律技法。并在此基础上，提出了中西发展结构差异的原因，及东西方互溶互通的历史必然走向。
关键词：线性结构；中西差异；中西合璧
The Linear Structure in Chinese Music Works
ZHAO Xi-jun
(The Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: On linear structural analysis of Chinese music, and respectively from the change of linear structure, simplified and complexified melody, congenetic folk song, line flow of breakthrough tonal organization, “progressive extending of eastern learning to the west” and sino-western combination aspects, this paper briefly describes some changes of its own characteristics and techniques of melody development in Chinese music. And on this basis, it puts forward the reason of the structural differences between Chinese and western development, and the historical inevitable trend of the fusion and intercommunication between east and west.
Key words: Linear structure; Sino-western difference; Sino-western combination
唐山地区评剧团的调查与研究
刘蓓璇
（内蒙古大学艺术学院音乐系，内蒙古呼和浩特010010）
摘要：唐山是评剧诞生的摇篮。从诞生至今，唐山地区的评剧艺术一直深受当地观众的厚爱，成为老百姓精神生活中重要的组成部分。本文通过对唐山评剧团、成兆才博物馆以及迁西县照燕洲民间自发组织的业余剧团三处进行实地采访调查，并对专业剧团和业余剧团的个案进行深入分析，尽可能全方位展示到唐山地区及周边区县评剧团的生存现状。
关键词：唐山地区：评剧；专业和业余评剧团；生存现状
Investigation and Research on Ping Opera Troupe in Tangshan
LIU Bei-xuan
(Music Department, the Art College, Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: Tangshan is the cradle of Ping Opera. Since its birth, Ping Opera in Tangshan has always been popular with local audiences and become an important part of people's spirit life. Based on the on-site interviews of three parts: Tangshan Ping Opera troupe, Zhao-cai Cheng museum and amateur theaters spontaneously organized by Yan Zhou folks in Qianxi County, and the in-depth analysis of some cases in professional and amateur theater troupes, this article tries to make an all-round display of the living situation of Ping Opera troupe in Tangshan area and surrounding counties
Key words: Tangshan area; Ping opera; Professional and amateur Ping Opera troupe; Living situation
二人台传统剧目《走西口》
艺术表现形式的流变
张玉兰
（内蒙古大学艺术学院影视戏剧系，内蒙古呼和浩特010010）
摘要：《走西口》是移民文化的衍生物，作为二人台的传统剧目，其艺术表现形式包括表演、音乐、舞台美术等，经过几代人的艰苦努力、学习和总结，得以不断完善、创新和发展。本文通过探索传统二人台剧目《走西口》艺术表现形式的流变，来把握其艺术特征，了解不同时期的人物表演风格、音乐唱腔编排和舞台美术设计。
关键词：二人台；《走西口》；表演；音乐；舞台美术；流变
The Artistic Form Evolution of Er’rentai Traditional
Repertoire “Zou Xi Kou”
ZHANG Yu-lan
(Film and Television Drama Department, the Art College, Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: “Zou Xi Kou” is a derivative of immigrant culture. As Er’rentai traditional repertoire, its artistic form consists of performance, music, stage art, etc. and gets continuous improvement, innovation and development by several generations’ hard work, study and summary. By exploring artistic form evolution of Er’rentai traditional repertoire “Zou Xi Kou”, this article grasps its artistic features and understands the acting style of characters, the aria arrangement and stage art design at different periods.
Key words: Er’rentai; “Zou Xi Kou”; Performance; Music; Stage art; Evolution
贡桑诺尔布致建斋书札考释
李俊义
（赤峰学院历史文化学院，内蒙古赤峰024001）
摘要：《贡桑诺尔布致建斋书札考释》，为研究喀喇沁王贡桑诺尔布提供了第一手资料。本文结合相关史料，解读此书札。
关键词：贡桑诺尔布；建斋；书札；考释
Textual Research of the Letter of Gongsennorbo to Jianzhai
LI Jun-yi
(History and Culture Faculty, Chifeng University, Chifeng, InnerMongolia, 024001)
Abstract: This book provides the first-hand information to the research of Kalaqin noble: Gongsennorbo. This article interprets this letter on the basis of the relevant historical materials.
Key words: Gongsennorbo; Jianzhai; Letter; Textual research
2013年中国艺术人类学国际
学术研讨会综述
安丽哲
（中国艺术研究院艺术人类学所，北京100029）
摘要：2013年10月25日至11月27日，由中国艺术人类学学会，中国艺术研究院和山东大学主办，山东大学遗产研究院及中国艺术研究院艺术人类学研究所承办的2013年中国艺术人类学国际学术研讨会在山东济南顺利召开。在此次会议中，共有来自国内外100多所高校与研究机构的专家学者出席会议。提交论文140余篇，许多学者的田野工作翔实，内容丰富，涉及到艺术本体风格剖析，知识谱系，现状调查，传承变迁，保护方法等各个方面，并与理论研究相互呼应，互相促进。
关键词：中国；艺术人类学；学术研讨会；综述
Summary of International Symposium on 2013 China Art Anthropology
AN Li-zhe
(Art Anthropology Institute, Chinese National Academy of Arts, Beijing, 100029)
Abstract: From October 25th to Novermber 27th in 2013, organized by China Art Anthropology Association, Chinese National Academy of Art Anthropology and Shandong University, and undertaken by Heritage Institute in Shandong University and Art Anthropology Institute in Chinese National Academy of Art Anthropology, the International Symposium on 2013 China Art Anthropology was successfully held in Jinan, Shandong. At this meeting, experts and scholars from more than 100 universities and research institutions from home and abroad attended the meeting, and over 140 papers was submitted. Many scholars' fieldwork is informative, content-rich, and involves art noumenon style analysis, genealogy of knowledge, current situation investigation, change of inheritance, protection methods and other aspects, as well as echoes and promotes with the theoretical studies.
Key words: China; Art Anthropology; Symposium; Summary