《内蒙古大学艺术学院学报》2013年第3期中英文目录
追忆蒙古族长调大师宝音德力格尔…………………………………莫尔吉胡(5)
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——悼念蒙古族长调大师宝音德力格尔………………………………………乌兰杰(7)
历史丰碑功盖千秋
——缅怀蒙古族长调（乌日汀哆）艺术大师宝音德力格尔………………柯沁夫(15)
宝音德力格尔对蒙古族长调（乌日汀哆）发展的贡献…………………………赵红柔(20)
伶人阶级的家族结构论纲…………………………………………………厉震林(25)
清代太原府剧场功能初探……………………………………………………牛白琳(32)
论国家意识形态在戏改中的渗透…………………………………………刘睿文(40)
论“心象说”…………………………………………………………………敖登(46)
浅谈新世纪初期悬疑电影中的两性冲突………………………………王苹(52)
电视传播与“非遗”剧种发展
——二人台艺术的荧屏化发展思考…………………乌琼芳1杨超2(57)
形神与艺术………………………………………………………………纳日碧力戈(61)
文化生态学视角下的景德镇非物质文化遗产的保护和传承…………李松杰1李兴华2(67)
呼和浩特蒙古大营艺术团音乐活动调查报告…………………………………姚小雪(72)
民族音乐文化遗产传承的新模式
——以内蒙古大学艺术学院民族音乐传承驿站为例…………………苗金海(80)
基于乐器声学视角的葫芦丝研究…………………………………欧阳平方1张应华2(84)
陕北信天游中的蒙古族民歌音调探微……………………………………………雅茹(90)
论阿沃·帕特钟鸣音乐创作的整体风格特征与成因…………………许琛(95)
“大母神”崇拜在东方及其神话显影……………………………………李祥林(99)
浅析《神路图》中的藏传佛教因素………………………………………朱永强(106)
宝鸡南坡村“太阳节”庙会的文化考察……………………………………李东风(111)
浅析蒙古族传统文化元素在当下建筑中的运用
——以呼和浩特城市建筑为例………………………………………………………赵升红(116)
探索融合蒙古族民间美术形象的动画角色设计的当代意义……………周金月1周珂2(122)
“文化大革命”时期牛汉诗作中的自然书写解读………………………………郭秀琴(125)
本真性的多元化视角：普洱茶在云南和其他地方的消费研究（下）
……………………………………………………………张静红1著桂慕梅2黄隽瑾3译(129)
匈奴的艺术与考古学在俄罗斯的新发现…（俄）瑟格瑞·米涅瓦 著瑞雪 译戈思齐 校(135)
·补白·……………………………………………………(51)(56)(89)(94)(110)
Recll Boyindelger, the Maestro of Mongolian Long Tune…………………………Meregjih(5)
Golden HolyMountain, Invaluable Monument
——Mourn Boyindelger, the Maestro of Mongolian Long Tune…………………………Ulanje(7)
Historical Monument, the Contributions of the Future Generations
——Recll Boyindelger, the Maestro of Mongolian Long Tune (Wurtindu) ………KE Qin-fu(15)
Boyindelger's Contribution to the Development of Mongolian Long Tune (Wurtindu) …………………………………………………………………ZHAO Hong-rou (20)
On the Family Structure of the Actor Class……………………………………LI Zhen-lin(25)
The Function of Taiyuanfu Theatre in Qing Dynasty…………………………NIU Bai-lin(32)
Discuss State Ideology Permeate the Drama Reform………………………LIU Rui-wen(40)
Discuss the Theory of "Inner Image"……………………………………………AO Deng(46)
Discuss The Sexual Conflict in Suspense Movies of the Early New Century…WANG Ping (52)
Television Communication and the Development of the Intangible Heritage Operas
—Thinking of the Development of Er-ren-tai Performing on Screen……………………………
………………………………………………………………WU Qiong-fang1. YANG Chao2(57)
Shape & Spirit And Art…………………………………………………………Naranbilig(61)
Intangible Cultural Heritage of Jingdezhen Protection and Heritage Based on Cultural Ecology………………………………………………………………Li Songjie1Li Xinghua2.(67)
An Investigation on the Musical Activities in Hohhot Mongolian Camp…Yao Xiaoxue (72)
The Station of the National Music Inheritance
——Art College's New Pattern of Creating A Music Cultural Heritage ………Miao Jinhai(80)
A Study on the Cucurbit Flute Regarding the Acoustics of Musical Instruments
……………………………………………………………Ouyang Pingfang1Zhang Yinghua 2 (84)
A Research on Mongolian Folk Tunes among the Xin Tian You in NorthernShanxi…Yaru(90)
The Overall Style Characteristics and Origin of P·rt Arvo’s Tintinnabuli………Xu Chen(95)
The Worship of "The Great Mother" In the East And Its Myth Manifestation
……………………………………………………………………………………LI Xiang-lin(99)
The Tibetan Buddhism Factors in The Road to Heaven…………………Zhu Yongqiang(106)
Study on "Sun Festival" Temple Fair Culture in Nanpo Village in Baoji…LI Dong-feng(111)
Analysis on The Application of The Mongolian Traditional Culture Elements in The Present Construction
——Cited Hohhot Urban Architecture As an Example…………………ZHAO Sheng-hong(116)
On the Contemporary Significance of Animation Characters Design of Mongolian Folk Art Image……………………………………………………………ZHOU Jin-yue1ZHOU Ke2(122)
The interpretation of Niu Han 's poems about nature writing during the period of "The Cultural Revolution of China "………………………………………………Guo Xiu Qin (125)
Foundation of Diverse Perspective: A Study of the Pu 'er Tea Consumption in Yunnan and Other Places (Two) ………………………………………………………………………………
……………Written by ZHANG Jing-hong, Translated by GUI Mu-mei HUANG Jun-jin (129)
Art and Archaeology of The Xiongnu：New Discoveries in Russia…………………………
…………………By Dr. Miniaev（Russia）, Translated by Ruixue, Proofread by Ge Siqi(135)