《内蒙古大学艺术学院学报》
2013年第1期中英文论文摘要、关键词
蒙古族表演艺术：游牧文化的瑰宝
李玉林著 孙晓燕译
（内蒙古大学艺术学院，内蒙古呼和浩特010010 ）
关键词：蒙古族表演艺术；史诗民间；长调；呼麦；叙事民歌；马头琴；蒙古舞
Mongolian Performing Arts: Treasure of Nomadic Culture
Written by LI Yulin, Translated by SUN Xiao-yan
(Art College of Inner Mongolia University Hohhot010010, Inner Mongolia)
Key words:Mongolian performing arts; folk epic; long-tune; Xoomii narrative folk song; Horse-head music instrument; Mongolian dance
“黄狗”即天狼
——阿阑豁阿感生神话传说再研究
阿尔丁夫
（内蒙古师范大学文学院，内蒙古呼和浩特010022）
摘 要：在《秘史》《史集》和《元史》保留的感生神话传说中，《秘史》独有的“如同黄狗一般，摇摇摆摆〔飘升〕着出去”中的“黄狗”，果真是黄狗么？蒙古有一种习俗：忌讳直接提到狼的名字。如回避不了，往往以黄狗、天狗等代之。故《秘史》中的“黄狗”指的同样是狼、天狼。阿阑豁阿是感天狼而生孛端察儿。
关键词：感生神话传说；黄狗；忌讳提到狼名的习俗；天狼
"Yellow Dog" is the Heaven Wolf
——Re-research on the legend of Alanhua induced myth
Ardinhu
(School of Liberal Arts of Inner Mongolia Normal University, Hohhot 010022, Inner Mongolia)
Abstract:Among the induced myth legends kept in, "History Collections " and "Yuan History", only the "Secret history of Mongols" has the unique description such as "like a yellow dog, go swaying (float) out", is the "yellow dog" a real yellow dog? The Mongols have a taboo: avoiding direct mentioning of the wolf's name. If unavoidable, often say yellow dog or heaven dog to refer to the wolf. Therefore the "yellow dog" referred in the "Secret history of Mongols" is the wolf. Alanhua bore Budancar by feeling the heaven wolf.
Key words:induced myth; yellow dog; taboo of avoiding referring to the wolf; heaven wolf
解放初期内蒙古东部地区民歌搜集活动与《蒙古民歌集》《东蒙民歌选》
王晶晶
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：1949年出版的《蒙古民歌集》是中国蒙古族历史上第一部民歌集，1952年出版的《东蒙民歌选》是建国初期最具影响的蒙古族民歌集。这两部民歌集，都是在安波的直接主持下完成的。1947年，冀察热辽鲁迅艺术文学院在赤峰建立，时任院长的安波，与年轻教师许直和学员胡尔查，在鲁艺蒙古族学员、宣传队成员和内蒙古自治学院蒙古族学员以及当地牧民中展开调查，搜集大量民歌，并于1949年编辑出版了《蒙古民歌集》。时隔两年之后，安波与许直在此基础上进行进一步的翻译和充实，于1952年编辑出版了《东蒙民歌选》。两部民歌集，对后来蒙古族民歌的搜集、整理、研究、传播、创作，产生了深远的影响。
关键词：《蒙古民歌集》；《东蒙民歌选》；安波；“小鲁艺”；许直；胡尔查
The Folk Songs Collection Activities in the Early Liberation Period of Eastern Inner Mongolia and "Mongolia Folk Songs" and "Collection of Eastern Folk Songs"
WANG Jing-jing
(Art College of InnerMongolia University, Hohhot 010010, Inner Mongolia)
Abstract:"Mongolia Folk Songs"published in 1949 is the first Mongolia folk song collection in Chinese history; "Collection of Eastern Folk Songs"published in 1952 is the most influential one. And in the two folk songs collections, were done under the An Bo's direct leadership. In 1947, Jichareliao Lu Xun Art School was set up in Chifeng, An Bo, the Dean did field work with his students and colleagues, investigating in the local herdsmen, collecting a large number of folk songs, and in 1949 published the "Mongolia Folk Songs". Two years later, based on this, An Bo and Xu Zhi further translated and substantialized, edited and published the "Eastern Mongolian folk songs" in 1952. Two folk songs collections produced far-reaching effect to the later collection, collation, research, communication, creation of Mongolian folk songs.
Key words:"Mongolia Folk Songs"; "Collection of Eastern Folk Songs"; An Bo; Little Lu Xun Art School; Xu Zhi; Hurcha
蒙古族乌日汀哆节奏之美初探
路广
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：每个民族和地区的音乐都有着各自不同的节奏特征，这也反映了人们对律动美的多样化追求。由于乌日汀哆的节奏具有自由和随意这一特征，因此它通常被划分到非均分律动型范畴。但是，非均分律动型节奏并不意味着没有节奏感，而是其打破了传统节拍那种强弱交替的规律性，从而体现出一种具有广义性的对称结构及协调性的节奏特征，正是这种节奏才使得乌日汀哆呈现出了随性自由的美学原则。本文将借助李世相教授概括的乌日汀哆的节奏特点对其进行审美心理方面的分析。
关键词：乌日汀哆；节奏；审美特征；审美心理
An Approach to the Mongolian Urdindu’s Rhythm Beauty
LU Guang
(Film and Television Drama Department, Art College of Inner Mongolia University Hohhot 010010, Inner Mongolia)
Abstract:Every national and regional music has its own different rhythm characteristics, it also reflects the diversification of the rhythm beauty of people's pursuit. Due to the free rhythm at will of the Uridindu, this feature is usually classified into non -uniform rhythm type category. However, the non uniform rhythm does not mean that there is no sense of rhythm, but it breaks the rules of traditional beat of the strong-weak alternation, which reflects the symmetry structure and coordination of a generalized rhythm features, it is this rhythm that presents the aesthetic principles of freedom of Urdindu. This article analyses the aesthetic psychology of Urdindu rhythm characteristics generalized by by Professor Li Shixiang.
Key words: Uridindu; rhythm; aesthetic features; aesthetic psychology
近现代科尔沁民歌产生的
社会背景和文化渊源
萨日娜
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘要：近现代科尔沁民歌是近现代科尔沁音乐风格时期产生、发展的代表性音乐形态之一。它的产生与当时科尔沁地区的社会历史背景、生产生活方式的转变、文化的重构与整合和蒙古族丰厚的民间口头文化底蕴有着密切的渊源关系。
关键字：科尔沁民歌；社会背景；文化底蕴；
The Social Background and Cultural Origins of the Generation of Modern Horchin Folk Songs
Sarana
(Art College of Inner Mongolia University, Hohhot 010010, China )
Abstract: Modern Horchin folk song is one of the representative music form in the development modern Horchin musical style. Its generation has a close relationship to social and historical background, the change of production and life style, cultural reconstruction and integration in Horchin and the rich Mongolian folk oral culture.
Key words: Horqin folk song; social background; culture inside; editing and chanting.
莫尔吉胡钢琴独奏曲《赛马》解析
乌黎
（内蒙古师范大学音乐学院，内蒙古呼和浩特010022）
摘 要：莫尔吉胡钢琴独奏曲《赛马》调式调性丰富，情感意境多样，而且充满了史诗性、深沉性、激情性和动力性，对其从音乐表现内容和技术角度加以分析，可以更好地诠释作品。
关键词：莫尔吉胡；钢琴音乐；《赛马》
Analysis of Mergjih's Piano Solo " Horse Race "
WU Li
( Piano Department, Music School of Inner Mongolia Normal University, Hohhot 010022, China )
Abstract: Mergjih's piano solo " Horse Race " has rich diversity of mode and quality , with emotional mood, and full of epic, profundity, passion and power. This article analyzes it from the music contents and technical point of view to better interpret the work.
Key words: Mergjih; piano music; " horse race "
试论苏雅蒙古四胡的演奏艺术
李蕾
（内蒙古电视台，内蒙古呼和浩特010010）
摘 要：技法精湛的蒙古四胡青年演奏家苏雅，曾在内蒙古自治区内外专业大赛中多次获奖。在不断的学习探索和表演实践中，她广泛吸纳蒙古四胡大师孙良、常铁钢、吴云龙、赵双虎等不同流派、风格的精华，融会贯通后逐渐形成了自己独特的演奏风格——高贵端庄、干净利落、沉稳细腻、柔美雅致，富有浓郁的草原韵味和独特的蒙古族神韵。
关键词：蒙古四胡；苏雅；演奏理念；艺术风格
On the Art of Mongolian Sihu Playing
LI Lei
(Inner Mongolia TV station, Hohhot 010010, Inner Mongolia)
Abstract:the young Mongolian Sihu player,Syuye with exquisite techniques has won many awards in competitions inside and outside the Inner Mongolia Autonomous Region. In her continuous studying and performing practice, she widely absorbs Mongolian Sihu Maestro Sun Liang, Chang Tie-Gang Wu Yunlong, Zhao Shuanghu, from different genres, styles, and gradually formed her own unique style of performance-noble and dignified, smooth and clean, calm, gentle and elegant, full of rich grassland flavor and unique nationality of Mongolian charm.
Key words:Mongolian Sihu; Suye; playing concept; art style
《唱论》对声乐教学及实践的启示
李嘉
（内蒙古包头市歌舞剧院，内蒙古包头市014010）
摘要：元朝燕南芝庵所著之《唱论》，是我国典籍文献中一部比较系统地阐述声乐艺术的专著，提出要树立正确的学习态度，战胜学习中的困难。在声乐学习过程中应该根据自己的实际情况进行学习，还应该在教师的指导下确立正确的调式感并掌握具体的声乐技巧、气息控制和歌唱中的腔词关系等。《唱论》不仅对今天声乐的教学和舞台实践有指导意义，而且对于我们学习声乐也有借鉴意义。
关键字：燕南芝庵；《唱论》；艺术歌唱气息；腔词关系
The Enlightenment of " Sing " to Vocal Music Teaching and Practice
LI Jia
(Inner Mongolia Baotou Singing and Dancing Theatre, Baotou 014010,China )
Abstract: The " Sing " written by Yannan Zhi'an in Yuan Dynasty is a monograph gives systematical exposition of the art of vocal music works in China, it proposed to establish a correct attitude towards learning, to overcome difficulties in learning. In the vocal learning process should learn according to their actual situation, should establish correct tonal sense and grasp the cavity term relation specific vocal skills in singing, breath control and under the guidance of teachers. " Sing not only has the guiding significance to the vocal music teaching and practice stage today, but also is of great significance for our vocal music learning.
Key words: Yannan Zhi'an; " Sing " ; breath in singing art; cavity lyric relation
成为非物质文化遗产的壮族织锦
——兼论非物质文化遗产的申报与保护
吕屏
（桂林电子科技大学艺术与设计学院，广西桂林545004）
摘 要：作为一种古老而瑰丽的工艺品，壮锦是中华民族优秀传统织锦中的一个代表。结合近期的田野考察，本文将追溯壮锦的历史，对申请非物质文化遗产以及成为非物质文化遗产代表作后的壮锦进行论述，进而反思非物质文化遗产的申报与保护工作。
关键词：非物质文化遗产；壮锦；保护
The Zhuang Brocade Which Has Become Intangible Cultural Heritage
——Also on the declare and protection of intangible cultural heritage
LV Ping
(College of Art and Design of Guilin University of Electronic Technology, Guangxi Guilin 545004, Guangxi Province)
Abstract:As an ancient and beautiful handicraft, Zhuang brocade is a representative of the Chinese national outstanding traditional brocade. According to the recent fieldwork, this paper will trace the history, discuss the application of the intangible cultural heritage and intangible cultural heritage of the Zhuang brocade were so as to rethink the declaration and protection of intangible cultural heritage.
Key words:intangible cultural heritage; Zhuang brocade; protect
元代半臂的形制与渊源
张国伟
(中国丝绸博物馆，浙江杭州310002)
摘 要：半臂又做半袖，到元代也称搭护。本文通过对文献资料中半臂史料记载的检索、现存的出土半臂实物及相关传世画像墓室壁画等图像资料的整理，对元代半臂作了较系统的研究性梳理。提出元代半臂的三种形制，即：直领短衫式半臂、交领右衽长袍式半臂（也称搭护）、方领对襟长袍式半臂。并对元代半臂的面料质地、图案色彩、装饰特点、演变及对后世的影响提出了看法。
关键词：元代；半臂 ；形制 ；工艺
The Shape and Structure and Origins of the Half Arm in Yuan Dynasty
ZHANG Guo-wei
(China Silk Museum, Hangzhou 310002, Zhejiang)
Abstract:Half arm is also called half sleeves, it was also known as Dahu in the Yuan Dynasty. Based on the records of historical literature retrieval of half arm and existing unearthed and handed down in half arm portraits and image information relevant found in the tomb murals, the article has made a systematic research on Yuan Dynasty half arm and puts forward three kinds of shapes and structures of the half arm, namely: straight collar blouse half arm, reciprocal gown half arm, square collar gowns half arm. It also gives the view and the effect of the half arm fabric texture, color, decorative pattern, evolution and characteristics of the influence later.
Key words:Yuan Dynasty; half arm shape and structure; techniques
匏：采集时代的渡水方式设计
——海南黎族日常生活中的原始水具
袁晓莉
（南京艺术学院设计学院，江苏南京210013）
摘 要：匏具是人类水上工具迈出的创始性一步，它的运用对后来的筏子与独木舟有着重要影响。以实地调研的方式，考察其形制及日常生活中的使用。制作与保护等相关内容，探讨黎族匏具的前世今生，阐释“匏”在黎家的其他功能。
关键词：海南；黎族；匏；原始浮具；容器
Pao: The Design of Water Crossing of the Gathering Time
—— The original water acquisition utensil in daily life of the Li People in Hainan
YUAN Xiao-li
(The Design Institute of Nanjing Arts Institute, Nanjing 210013, China)
Abstract:Gourd utensils was a founding stepfor human water tool, its use had an important influence on the raft and kayak later. The field research investigates the use of the shape and the use in daily life as well as production and protection to discuss the Li people's Pao utensils in the preexistence, and gives interpretation of additional features of " Pao "of the Li people.
Key words: Hainan; Li; Pao; the original float; container
苗族织锦的艺术解读
方园
（中南民族大学美术学院，湖北武汉430070）
摘 要：苗族织锦是我国传统织锦中独具特色、至今仍保有传统艺术风格和织造技术的品类。它是融于生活的艺术，具有依附于实用的审美特质。苗族织锦作为一种文化的物化形式，自始至终反映了苗族人民的审美情趣、审美观念和审美理想。它的独特表现形式和手法，给我们现代纺织品设计师提供了许多有益的启示，是艺术创作的典范。
关键词：苗族织锦；审美；图案造型；工艺表现；审美价值
Artistic Interpretation of Miao Brocade
FANGYuan
(AcademyofFineArts,South-CentralUniversityForNationalities,Wuhan430070,China)
Abstract:Miao brocade is unique in China's traditional brocade, and it still keeps the traditional artistic style and weaving technology category. It is in the art of living, with the aesthetic peculiarity attached to and practice. Miao brocade as a a kind of materialized form of culture,has been reflecting the Miao people 's aesthetic taste, aesthetic idea and aesthetic ideal. Its unique form and style has provided us many beneficial enlightenment to our modern textile designers, and it is a good example of artistic creation.
Key words: Miao brocade; aesthetic; pattern; process performance; aesthetic value.
桦树皮工艺品制作技艺田野调查①
——以阿里河镇和敖鲁古雅乡为例
范琳琳
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：生活在内蒙古大兴安岭林区的鄂伦春族、鄂温克族、达斡尔族，简称三少民族。他们长期以狩猎、畜牧为生，由于自然环境和地理因素的影响，孕育和创造了具有鲜明山林特色的桦树皮文化。桦树皮制品的使用范围，从日常生活用品到狩猎生产用品，无处不在。如今，随着三少民族的生产生活方式的改变，桦树皮制品不仅没有消失，而且演变发展为桦树皮工艺品。笔者于2012年8月，就桦树皮工艺品的制作方法等问题赴内蒙古牙克石市的阿里河镇（鄂伦春族自治旗）进行田野调查，深入了解桦树皮工艺品的制作技艺，并近距离感受了古老淳朴的桦树皮文化。
关键词：桦树皮文化;工艺品;工艺流程;田野调查;民间艺术
Field Investigation of Birchen Skin Handicraft Manufacture Technique
——A case study of Alihe Town and AoluguyaTownship
FAN Lin-lin
( InnerMongolia Art College of Inner Mongolia University, Hohhot 010010 )
Abstract:Living in Greater Khingan forest area of Inner Mongolia, Ewenki, Daur and Oroqen have been referred to as the three minorities. They have been taking hunting, animal husbandry for a living, due to the influence of natural environment and geographical factors, conceived and created the birch bark culture with a distinct characteristic of the forest. The birchen skin products from daily necessities to hunting and production supplies are everywhere. Now, with the production and lifestyle changes of the three minorities, birchenskin products have not disappeared, but developed toward birchen skin handicraft. In August 2012, the author made the field survey on the issue of birchen skin handicraft production method in InnerMongolia Yakeshi City ( ALI Oroqen Autonomous Banner ), got in-depth understanding of technology of birchen skin handicraft, and closely learned about the ancient and simple honorable birch bark culture.
Key words: Hainan; Li; Pao; the original float; container.
永儒布——用生命谱写命运交响曲的人
乌兰杰
（中央民族大学，北京100081）
关键词：永儒布；蒙古族作曲家；交响乐
Yong Rubu——A man writing the symphony of destiny with his own life
Ulanje
(Central University for Nationalities, Beijing 100081)
Key words:Yong Rubu; Mongolian composer; symphony
绿色的交响生命的交响
——著名蒙古族作曲家、指挥家永儒布先生艺术成就述评
好必斯
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：著名蒙古族作曲家、指挥家永儒布先生，是当代蒙古族音乐发展的代表人物，是草原乐派的领军人物。他在半个多世纪的音乐创作生涯中，写有大量的具有浓郁民族风格和鲜明个性风格的音乐作品，其创作领域涉及交响乐、室内乐、歌剧音乐、舞剧音乐及影视音乐，这些优秀的音乐作品是草原游牧音乐文化宝库中的巅峰之作、里程碑之作，其独特的创作技法与创作理念，对当代蒙古族音乐文化的创新与发展、实践与研究，都具有重要的学术价值和指导意义。
关键词：永儒布；艺术成就；创作技法；述评
Green Symphony, the Symphony of Life
——A review of the artistic achievement of the famous Mongolian composer, conductor Mr.Yong Rubu
Hobis
(Art College of Inner Mongolia University, Hohhot 010010, InnerMongolia)
Abstract:The famous Mongolian composer, conductor Mr. Yong Rubu, is the representative figure in the development of contemporary Mongolian music, is the PrairieMusic School leader. For more than half a century of his music career, he has written the music works with strong ethnic style and distinctive style of its creation, and relates to the field of symphony, chamber music, opera music, dance music and film music, these excellent music works are the pinnacle of grassland nomadic music, milepost work, his unique writing techniques and creative ideas, practice and research on innovation and development, to the contemporary Mongolia nationality music culture, has important academic value and significance.
Key words:artistic achievement; creative techniques; review
银幕空间的组织方式和运动法则
——长镜头、蒙太奇等电影核心概念的理论诠释
储双月
（中国艺术研究院电影电视艺术研究所，北京100029）
摘 要：所有的艺术形式都通过自己特有的表现方式传达信息，都有自己的语言。长镜头与蒙太奇作为两种各具特色的电影语言，其在创作原则上泾渭分明而又在艺术实践中产生某种交叉。本文主要诠释并历史性地梳理了与长镜头理论、蒙太奇理论相关的五个核心概念的理论价值及实践意义。
关键字：长镜头；库里肖夫效应；蒙太奇；轴线；场面调度
Organization and Movement Rule of Screen Space
——Theoretical interpretation of film core concepts of long lens, montage
CHU Shuang-yue
(Film and Television Arts Research Institute of China Academy of Art, Beijing 100029 )
Abstract: All forms of art convey information through their own unique styles and has its own language. Long shots and montage as two unique film language, they are quite distinct from each other in the creation principle, and produce a cross in the artistic practice. This paper mainly explains and historically reviews the theoretical value and practical significance of the long shot theory, montage theory related to the five core concepts.
Key words: long shot; Currie Seaan J effect; montage; axis; scene scheduling
让纸上的童话“动”起来
孔静
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：《草原上的童话》是以蒙古族题材为背景创作的一部剪纸动画短片，与传统剪纸动画在题材选择、制作技法、角色动画、造型设计等方面相比，有其自身的特点，总结蒙古族题材剪纸动画短片《草原上的童话》在传统剪纸动画制作基础上的创新，能为我们的教学研究包括创作，提供新的视角。同时，也从另一个层面启迪我们要从民间艺术中汲取营养，突出民族风格，弘扬本民族的传统文化。
关键字：剪纸动画；蒙古族题材；制作技法；蒙古族图案；草原文化
Let the Fairy Tale in the Paper "Moving"
KONGJing
(ArtCollegeofInnerMongoliaUniversity,Hohhot010010)
Abstract:" Fairy tale on the grassland " is a paper-cut animation short film with the Mongolian nationality themes as the background of the creation, compared with the traditional paper-cut animation, it has its own characteristics in material selection, production techniques, animation, design, summarized the Mongolia theme paper-cut animation short film " Fairy tale on the grassland " in traditional fairy tales paper-cut animation on the basis of innovation, we can include the creation of teaching and research, and provide a new perspective. At the same time, we should draw nutrition from folk art from another level of inspiration, highlight the national style, carry forward the traditional culture.
Key words:paper-cut animation; Mongolia theme; production techniques; Mongolia pattern; grassland culture;
以系统论思维看动画艺术中的中国元素
贾玉平
（成都大学美术学院，四川成都610106）
摘 要：中国动画有过曾经的辉煌，但20世纪80年代以来，以中国元素创作的动画再一次的火热并没有让国人自信。反思中国动画艺术发展现状，分析国内外实例，会明显地意识到当前国内有关中国元素的动画创作，缺乏对系统论和中国元素这两个关键词及相关问题的深刻认识。
关键词：中国元素；系统思维；动画艺术
On the Chinese Elements in Animation Art from the Perspective of System Theory
JIA Yu-ping
(College of Fine Arts, Chengdu University, Chengdu 610106)
Abstract:Chinese animation had once been brilliant, but since the nineteen eighties, the hot burning of the animation with Chinese elements again has not make Chinese people confident. Rethinking the current development of Chinese animation art, analysis of domestic and foreign examples will make us clearly aware of the current domestic Chinese elements of animation, which lack of deep understanding of the two key words ——system theory and the Chinese elements and related problems.
Key words:Chinese elements; system thinking; animation art
写生实践在山水画创作中的重要性
高文亮
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：山水画把揭示和表现自然与人的内在精神作为最高境界。山水画创作必须要经历写生实践的过程；丰富的大自然能给予画家灵感与心灵的净化，从而造就画家的绘画风格；历史上许多山水画画家都非常重视对大自然的感受，有着对景写生的优良传统，因此创作出许多极具感染力的优秀山水画作品；作为一名山水画创作与写生课程的教师，笔者常带领学生赴祖国各地的名山大川进行写生实践，充分地体会到写生实践在山水画创作中的重要作用。
关键字：山水画创作；写生实践；师法自然；表现技法
The Importance of Sketch Practice in the Landscape Painting Creation
GAO Wen-liang
( Fine Arts Department of Art College of Inner Mongolia University, Hohhot 010010,China )
Abstract: Landscape painting takes the inner spiritual revelation and expression of nature and people as the highest state. Landscape painting creation must go through the process of painting practice; rich nature can give the artist inspiration and purify the soul, thus creating a painter's painting style. Many of the landscape painters in the history pay great attention to the feeling of nature, has a fine tradition of landscape painting creation facing the scene , thus creating a lot of infectious outstanding landscape painting works; as a teacher of landscape painting and sketching courses, the author often leads the students to all parts of the country 's well-known mountains and rivers for sketch practice, fully realizes the important role of sketching practice in landscape painting.
Key words: landscape painting; sketching practice; learning from nature; expression techniques
论歌德与龙格及弗里德里希之关系
王静1张典2
（1.南京师范大学文学院，江苏南京210097， 2.牛津大学哲学系，英国牛津市OX26GG）
摘 要：歌德的魏玛古典主义最重要的特质在于倡导人性的尊严，耶拿浪漫派放弃歌德的立场而走向神秘主义，歌德因此将他们的精神看作是不健康的。浪漫派画家龙格与弗里德里希直接受耶拿浪漫派影响，但歌德与他们之间并不存在一种简单的对立关系；歌德既肯定他们的才华，同时也指出他们走在错误的道路上，认为他们的艺术追求中缺少人性尊严这样一种绝对性的道德维度；而龙格与弗里德里希在尊重歌德的同时亦认为他坚持的是一种过时了的艺术观，因而不能完全接受他的观点。歌德在与他们的交流中不断加深对浪漫主义艺术精神的理解。
关键词：歌德；龙格；弗里德里希；浪漫主义；古典主义；寓言
On the Relationship between Goethe and and Friedrich
WANG Jing1ZHANG Dian2
(1.College of literature of Nanjing Normal University, Nanjing 210097, Jiangsu Province;
2.Philosophy Department of Oxford University, Oxford OX26GG, Britain)
Abstract:The most important characteristics of Goethe's Weimar classicism is to advocate human dignity, Jena romantic abandons Goethe's stance towards mysticism, Goethe considers their spirit unhealthy. Romantic painters Runge and Friedrich Jena were directly affected by the romantic school, but there is not a simple opposite relationship between Gothe and them; Gothe affirms their talent, but also points out that they are going the wrong way, he thinks that their artistic pursuit lacks of an absolute moral dimension of human dignity such; while Runge and Friedrich respect Gothe and think that Gothe insist an outdated view of art, and therefore can not fully accept his point of view. Gothe had deepened his understanding of the spirit of the romantic art is in communication with them.
Key words:Goethe; Runge; Friedrich; romanticism; classicism; fable
理性、秩序与教条、僵化
——理性主义版式设计的二律背反
蔡顺兴
（苏州大学艺术学院，江苏苏州215000）
摘 要：理性、秩序的理性主义版式设计具有美观、实用的功能，同时也衍生了教条、僵化的弊病。这似乎是设计上的一个悖论，即：运用精确的数学计算方法去设计版面，可形成工业生产的标准化、网格化、模块化的固定模式。然而，其不足也伴随为，越理性、秩序,也就越教条、僵化,越容易形成无个性、无差异的设计形式，由此形成理性主义版式设计的二律背反。其成因在于，一方面源自西方理性主义传统思想主导下的，运用精密计算的数理模块化手段设计版式所致，另一方面也与理性主义先天对“感知”不信任分不开。理性主义版式设计尽管存在着冷漠、呆板、教条、千篇一律的缺陷，但其强大的实用功能和美好的秩序性始终能够良好地服务于人类社会。
关键词：理性；秩序；教条；僵化；理性主义版式设计；二律背反
Rational, Order and Dogma, Rigid
——Rational Layout Design of the Antinomy
CAI Shun-xing
(Art Institute of Suzhou University, Suzhou 215000, Jiangsu Province)
Abstract:Rational, order rational layout design has the advantages of beautiful appearance and practical functions, at the same time it also derived the drawback of rigid and dogma. It seems to be a paradox of the design, i.e to design the layout with the use of precise mathematical calculation method, forming fixed pattern of standardization, gridding, modular of industrial production. However, its shortcomings are accompanied, the more ration and order bring about more dogmatic, rigid; the more easily the design, the less personality it has, resulting in no difference in designs, thus forming the antinomy of rationalism format design. On the one hand,, its origin lies in the western rationalistic tradition thought under the guidance of the use of mathematical model, the precise calculation method of design layout, on the other hand, it is inseparable from not- trusting the rationalism and innate "perception". Despite the existence of indifference, defects, rigid, dogmatic, rational layout design has its powerful function and good order servicing to the society.
Key words:rational; order; doctrine; rigid; rational layout design; antinomy
本真性的多元化视角：普洱茶
在云南和其他地方的消费研究①（上）
张静红 著 桂慕梅 黄隽瑾 译
（云南大学人文学院，云南昆明650091；北京师范大学文学院，北京100875）
摘 要：在当今中国，普洱茶是最流行的茶叶之一。本文要探究不同群体在不同地点和不同时期对普洱茶本真性的不同理解。通过展现这些多元化的视角，本文认为，普洱茶品味上的差别是不同的自我言说之间相互互动的结果；而且，任何一种自我言说都不是绝对独立自足的，而是纳入了借来的、调适的以及被“再本真化”的多个因素。
关键词：普洱茶；云南；本真性；多元化；相互作用；自我言说
Foundation of Diverse Perspective: A Study of the Pu 'er Tea Consumption in Yunnan and Other Places (One)
Written by ZHANG Jing-hong, Translated by GUI Mu-mei HUANG Jun-jin
(College of humanities, Yunnan University, Kunming 650091, Yunnan Province, College of Liberal Arts of Beijing Normal University, Beijing 100875)
Abstract:In today's China, Pu 'er tea is one of the most popular teas. This paper will explore the different understanding of different groups and different locations at different times of the true Pu 'er tea. By showing the multiple angle of views, this paper holds that different tastes of Pu 'er tea is the results of the interaction between different self-voice; moreover, any kind of self-voice are not absolutely independent and self-sufficient, but included in borrowed, adjustment and was "re- reality."
Key words:Pu 'er tea; Yunnan; authenticity; diversification; interaction; self-voice
巴克特里亚语言的刻字在印度东部被发现①
B．N．莫克吉·卡尔迈尔②著景磊译戈思齐校
（加尔各答大学，印度加尔各答700073内蒙古大学艺术学院，内蒙古呼和浩特010010）
关键词：赤土陶器；巴克特里亚语言；印度次大陆
Bactrian Language Lettering Was Found in Eastern India
Written by B.N. Moky Karl Maier, Tanslated by JING Lei, Proofread by GE Si-qi
(CalcuttaUniversity, India Calcutta 700073, Art College of InnerMongolia University, Hohhot, Inner Mongolia 010010)
Key words:terra cotta; Bactrian language
蒙古族舞蹈的文化生态保护与发展
赵小丁
（内蒙古大学艺术学院，内蒙古呼和浩特010010）
摘 要：古代蒙古人更多地是依赖对生活的模仿，包括再现狩猎﹑采集﹑婚嫁﹑战争等生活场景，来获取快感。蒙古族舞蹈既有民族的多样性，又有地域文化的独特性，它集中地体现了蒙古民族的信仰﹑观念﹑风俗习惯﹑审美心理。蒙古族舞蹈作为草原文化中特有的历史呈现，主要是以其自身的创作和表演为坐标，来传承其文化精神和审美功能的。
关键字：蒙古族舞蹈；文化生态；舞蹈文化；传承；发展
The Cultural and Ecology Protection and Development of the Mongolian Dance
ZHAO Xiao-ding
(Art College of Inner Mongolia University, Hohhot 010010, China )
Abstract: The ancient Mongolian is more dependent on the imitation of life, including the reproduction of hunting, collection, marriage, war scenes to get pleasure. Mongolian dance has both the diversity of Mongolia nationality, and the uniqueness of the regional culture, it reflects the Mongolia national faith, values, customs, aesthetic psychology. The Mongolian dance as a unique reflection of grassland culture mainly takes their own writing and acting as the coordinates, to inherit the culture spirit and aesthetic function.
Key words: Mongolian dance; cultural ecology; dance culture; inheritance; development