《内蒙古大学艺术学院学报》
2012年第3期中英文论文摘要、关键词
艺术与国运
纳日碧力戈
（复旦大学社会科学高等研究院，上海 200433）
摘 要：中国已经成为经济大国，但在社会、人文、美德等方面尚不能自称最强国。经济强大给国政奠定了基础，但经济不能代替国政，国家良治不足者，由强变弱，不能持续。国强靠“政经”，即发达的政治和经济；国运靠“生态”，即经济、社会、人文、美德之良性对转。国运呼唤强化良治，呼唤经济、社会、人文、美德之良性共生，而良治和“共生”可出自艺术生活。艺术生活即生活美学。
关键词：艺术；国运；良治；生活美学
Arts and the Nation-State
Naran Bilik
(Institute for Advanced Study in Social Sciences, FudanUniversity, Shanghai 200433)
Abstract: Though China has become an economic superpower it is still yet to be stronger in terms of civil society, humanities, and ethics/virtue. Strong economy has laid a solid foundation for state governance; but economy is not the substitute for state governance. If a state lacks good governance, it will become weakened and will not last long. A strong state needs both strong politics and strong economy; the fate of the state cannot be decoupled from the "ecology" of economy, society, humanities, and ethics/virtue. The good fate of the state demands good governance and the symbiosis of economy, society, humanities, and ethics/virtue. Good governance and "symbiosis" comes from arts of life while arts of life means aesthetics of life.
Key words: arts, the fate of the state, good governance, aesthetics of life
“艺术知识”：非物质文化遗产和
艺术人类学
（荷兰）威尔弗雷德·范·丹姆 著 关 祎 译
(荷兰莱顿大学艺术史学系, 荷兰 莱顿市 95002300)
摘 要：艺术人类学的基本任务是记录全世界不同文化中的“艺术知识”。当不同人类群体的各种非物质文化遗产被记录下来，并被放入各自文化语境中之后，下一步就是要对民族志数据进行比较，由此建立模型，并最终解释人们不同艺术观的相异与相似之处。
关键词：艺术知识；本土知识；非物质文化遗产；艺术人类学；民族志科学
Art lore: Intangible cultural heritage and art anthropology
Written by Wilfried Van Damme, Translated by Guan Yi
（School of Art History, Leiden University, Netherlands，95002300）
Abstract: Recording "art lore" of different cultures all around the world is basic task of Anthropology of art. Once these types of intangible cultural heritage of various human groups have been recorded and contextualized, the next step may consist of comparing the ethnographic data in order to establish, and eventually explain, both differences and commonalities in the way people conceive of the various dimensions of the arts.
Keywords: art lore, local knowledge, intangible cultural heritage, anthropology of art, ethnoscience
论21世纪戏曲导演的艺术自觉
王 萍
（兰州城市学院文学院中国古代小说戏剧研究所，甘肃 兰州 730070）
摘 要：21世纪戏曲导演的艺术自觉，即体现为对戏曲这一民族艺术流变乃至兴衰的理性反省，包括戏曲艺术的文化特质、艺术特点及当代语境下戏曲发展走向等的自我认识和自觉追求。具体表现为：对传统艺术敬重、传承的自觉；坚持时代性与民族性的自觉；充分发挥演员主体性的自觉。
关键词：21世纪;中国；传统戏曲；导演;艺术自觉
On 21st century art consciousness of drama directors
WANG Ping
(School of Chinese Language and Literature, Lanzhou City University，Lanzhou730070，China)
Abstract: In the globalization brings the multicultural impact and fusion, the art of Chinese drama directing faces a lot of problems that how to deal with reality, how to choose the path of development. It is a art consciousness that response to these times the proposition for contemporary drama directors. This is reflected in the change of national opera rise and fall of the rational reflection for 21st century art consciousness of drama directors, which including the opera art culture, the artistic characteristics and the context of contemporary drama development trend of self awareness and conscious pursuit. The specific performance: the traditional art, inheritance consciousness of respect,adhere to the age and nationality consciousness; give full play to actors subjectivity consciousness. Keywords: 21st century ;drama directors ; Art Consciousness
神 人 以 和
——三星堆器物坑中的图像与巫仪
胡绍宗
（湖北省黄冈师范学院，湖北省 黄冈市 438000）
摘 要：以考古资料为据，结合历史文献和人类学资料，分析三星堆出土各类图像的类型与系统，讨论各类图像之间的风格关联，试图建构与这一图像系统可能存在的宗教仪式，以及青铜人物图像不同风格的角色对应，藉此说明中国古代社会巫祝等神职人员的身份及社会等级关系。
关键词：艺术考古；三星堆；青铜人像；典型器；祭祀礼仪
Mixing of Man and God
—— Images and witch appearance in Sanxingdui artifacts hole
HU Shao-zong
(Huanggang Teacher's College, Huanggang, 438000, HubeiProvince)
Abstract: According to the archaeological data with combination of historical documents and anthropological data, this article gives an analysis of the unearthed various image types and the system, and discusses the style association between the various types of images, trying to construct religious rituals that may exist in this image as well as the role of the different styles of bronze figures image corresponding to the identity and social class relations of the clergy of the ancient Chinese social witchcraft.
Key words: art archeology; Sanxingdui; bronze portrait; typical device; sacrificial rituals
物的语义标记：黎族人的“插星”与“禁星”
袁晓莉
（海南大学艺术学院，海南 海口 570228）
摘 要：黎族人原始记事方法中一类特殊的标记，即是田间地垄的“插星”与村头屋前的“禁星”。 此类标记在黎族五大支系中相当普遍，也是黎族社会中人人必须遵守的习惯法则，对于民间出示广告、启事、禁令之类的事务，“插星”与“禁星”显示出强大的语义功能。集中反映了黎族社会的道德法制、宗教观念、生活习惯和价值取向等，同时，也是黎族适应自然环境的生存结果，延续至今，成为黎族传统文化的一个有机组成部分。
关键词：黎族人；标记；“插星”；“禁星”；语义；传统文化
The Semantic Markers: Li people's " Inserted Star " and "Ban Star "
YUAN Xiao-li
( Art Institute of HainanUniversity, Haikou 570228, HainanProvince )
Abstract: There was a kind of special marker used in the method by Li people to take note, they were " inserted star " on the field ridge and "ban star" in front of the house or village. Such markers were quite common in five Li branches, and they were the customary rules that everyone of Li society must abide by. The" insert star" and "ban star" had a strong semantic function to the affairs such as producing ad, advertisement, ban things. They reflects the moral, religious beliefs, habits and customs and value orientation of Li society, at the same time, they were the survival results to adapt to the natural social environment, so far, have become an organic component of the Li nationality traditional culture.
Key words: Li people; markers; " inserted star "; "ban star"; semantic meanings; traditional culture
非物质文化遗产在民间
——艺术人类学视野下的常山战鼓
王永健 于 宙
（中国艺术研究院艺术人类学研究中心，北京 100029）
摘 要： 常山战鼓艺术是流行于河北省正定县一带乡村的鼓乐艺术形式。通过对其的田野调查，从艺术人类学的视角，对常山战鼓的基本概况与文化生态、历史变迁与现代性语境下的重构，以及非物质文化遗产保护背景下的艺术传承作一探讨。
关键词：常山战鼓；艺术人类学；功能；传承
The Intangible Cultural Heritage among People
——Changshan war drum from the perspective of anthropology of art
WANG Yong-jian, YU Zhou
(ResearchCenter for Anthropology of Art, ChinaAcademy of Art, Beijing 100029 )
Abstract: Changshan war drum music art is popular in the villages of Zhengding County of Hebei Province. Based on the field investigation, from cultural anthropology perspective, this article tries to discusses the basic overview and cultural ecology of Changshan war drum, the change of history and the reconstruction of modernity context, as well as the protection of the intangible cultural heritage.
Key words: Changshan war drum; the anthropology of art; function; inheritance
民间艺术与地方形象再定位
——从“金罗店”到“龙船罗店”
许莉萍 陈志勤
(1.2.上海大学社会学院，上海 200444)
摘 要：上海市宝山区罗店镇曾经是明清时代的商业大镇，素有“金罗店”之称，在非物质文化遗产保护背景下，“龙船罗店”已经成为这个镇的文化符号，可见民间艺术之于地方形象在新的社会时期再定位的重要性。当非物质文化遗产作为文化客体被认识的时候，就可以发现“保护”“利用”以及“发明”，都不过是我们现阶段理解非物质文化遗产的几个侧面而已。
关键词：罗店;划龙船习俗;民间艺术;非物质文化遗产保护;地方形象;再定位
Folk Art and the Local Image Repositioning
—— from " Jinluodian " to " Longchuanluodian "
XU Li-ping CHEN Zhi-qin
( 1.2. Faculty of Social Sciences o ShanghaiUniversity, Shanghai, 200444)
Abstract: Shanghai Baoshan District Luo Zhen used to be the era of the a very large commercial town in Ming and Qing dynasty, known as " Jinluodian ". Under the background of the protection of intangible cultural heritage, " " Longchuanluodian " has become the town's cultural symbols, showing the importance of the relocation of folk art in the local image in new period and social orientation. When intangible cultural heritage is recognized as a cultural object, we can discover that " protection " " use " and " invention " are but several aspects of our understanding of the intangible cultural heritage at present stage.
Key words: Luodian; Dragon Boat custom; folk art; intangible cultural heritage; local image; repositioning
民间传统技艺传承的美学视角
——以点翠工艺为例
韩 澄
（北京联合大学广告学院，北京 102200）
摘 要：我国以翠鸟羽毛加工为主的点翠工艺流传范围广、时间跨度大、工艺特征强，堪称世界羽饰文化艺术的瑰宝。在当下，点翠工艺因文化变迁与社会生活方式的转变已渐消失于公众视野之外，由此针对点翠工艺文化的研究愈发显得尤为紧迫。文中以饰翠历史、工艺、审美、文化四个方面对点翠艺术加以阐释，以期增加相关研究的立体维度。
关键词：中国；羽饰艺术；点翠；装饰审美；工艺传承
Folk Tradition from Aesthetic Perspective
——Case Study of Kingfisher Blue Art
HAN Cheng
(The Advertizing College of BeijingUnionUniversity, Beijing 102200)
Abstract: The Kingfisher Blue Art in China is known as its wide spread range, long history, and its unique craft characteristics. It is regarded as the treasures of the feather decoration art in the world culture. Due to the change of the culture and lifestyle today, Kingfisher Blue Art is disappearing from the public. Thus the deep study and development of Kingfisher Blue is particularly urgent. This paper elaborates Kingfisher Blue Art in the aim of a deep research by a stereo dimensions: History of decorative Kingfisher Blue, technology, aesthetics aspects, and its handicraft heritage.
Keywords: China; Feather Decorations Art; Kingfisher Blue Art; Decorative Aesthetic; Handicraft Heritage
审美教育与民族文化的活态传承
——以云南剑川张绍华民间美术教育为例
向 丽
（云南大学人文学院，云南 昆明 650091）
摘 要：关注日常生活方方面面与美的关系，结合本地的地方特色，并将其巧妙地转化为美术课堂资源，进而诠释民间艺术的艺术法则与美学精神，这将是通过审美教育活态传承民族文化的一个重要途径。云南剑川张绍华的民间美术教育将民族文化纳入美术课堂中，主要以“参与、体验、分享、成长”作为课题开展的宗旨，使民族文化在审美活动中得以艺术性地传承，取得了良好的教学效果。
关键词：美术教育；审美教育；民族文化；云南剑川；张绍华；活态传承
Aesthetic education and the living inheritance of national culture
——Take zhang shaohua's folk art education in jianchuan of yunnan province for example
XIANG li
(College of Liberal Arts, YunnanUniverstity, Yunnan, Kunming, 650091)
Abstract: It is one important way of inheriting national culture through aesthetic education that Paying close attention to the relation of everyday life and beauty, combing the local characteristics, skillfully converting everyday life to the resource of art course, and interpreting the art law and aesthetic spirit of folk art. Zhang shaohua who live in jianchuan, yunnan pronince reintegrates national culture into the art course, " participation, experience, share and growth" are conceived as the aim of zhao shaohua's research project. In zhao shaohua's folk art course, the local national culture are aritsitcally inherited through aesthetic activity, and the teaching efficiency is favourable.
Key words: art education, aesthetic education, national culture, jianchuan in yunnan province, zhang shaohua, living inherit
内蒙古和林格尔武家泥塑田野调查报告
黄隽瑾
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘 要：武家泥塑从清乾隆初年发展至今已有三百年的历史，却因种种原因近乎失传。直到近几年，经过武家泥塑的第七代传人武文胜师傅的不断努力，使得更多的人了解到了这一民间艺术。由于政府的重视，武家泥塑于2009年入选内蒙古自治区级非物质文化遗产的保护名录。
关键词：内蒙古；武家泥塑；民间艺术；工艺流程
The Field Investigation of Wu family Clay in Helingeer Inner Mongolia
Huang Jun-jin
(Art Department of Art College of Inner Mongolia Univesity，Hohhot 010 010，China )
Abstract： Wu family clay has been developed already three hundred years from the Qianlong early years, but almost lost due to various reasons. Until recent years, more people are aware of this folk art because of the continuous efforts of Wu Wensheng who is the seventh-generation descendant of the Wu family clay. Government also give more attention to this folk art. Wu family clay has been selected for the Inner Mongolia Autonomous Region level intangible cultural heritage protection list in 2009.
Key words： Wu family clay; folk art; technological process
九十年代以来丽江古城木雕绘画旅游艺术品的田野考察
周蔚蔚
（香港中文大学，香港特别行政区 999077）
摘 要：在田野调查的基础上，整理出了20世纪90年代至今丽江古城纳西民间木雕与绘画发展线索。从云南旅游艺术品市场的形成，讨论了近十年来丽江古城旅游纪念品（包括艺术品）的概况，木雕绘画旅游艺术品的类型特点和发展阶段以及艺人们的发展困境等，以期进一步深入研究。
关键词：田野考察；丽江古城；木雕绘画；旅游艺术品
The Field Report on the Tourist Arts of Woodcrafts and Paintings in the Old Town of Lijiang Since 1990s
ZHOU Wei-wei
(The ChineseUniversity of Hong Kong, Hong Kong SAR 999077)
Abstract: Based on the field trips from 2007 to 2012, this paper studies the development of Naxi woodcrafts and paintings in the old town of Lijiang since 1990s. This paper also discusses the formation of the tourist art market in YunnanProvince, as well as general summary of tourist souvenirs (including tourist arts) in the old town. Further analysis focuses on the characteristics and development stages of woodcrafts and paintings as tourist arts, and the current predicament that the local folk artists are facing.
Key words: Field study, the old town of Lijiang, woodcrafts and paintings, tourist arts
祖先的世界
——澳大利亚土著岩洞与岩画世界
保罗·塔森 著 李迪 译 罗易扉 校
（格理菲斯大学，昆士兰 澳大利亚 999029）
关键词：澳大利亚土著；岩洞；岩画
The Ancestral World
——The world of Australian Aboriginal Cave and Rock Paintings
Written by Paul Tarsen, Translated by Li Di, Proofread by Luo Yi-fei
(Griffith University, Queensland 999029, Australia)
Key words: Key words: Australian Aboriginal; rock paintings; cave
二十世纪前哈萨克斯坦的艺术创作
刘文斌
（浙江理工大学艺术与设计学院，浙江 杭州 310013）
摘 要：20世纪以前是哈萨克斯坦历史巨变的年代。俄罗斯为了对哈萨克斯坦资源与社会进行全面的控制，对其进行了各种科学探险活动。参与探险的艺术家以其艺术创作为俄罗斯政府提供了详细的人文与自然资料的同时，也进行了以哈萨克斯坦为主题的绘画创作，拉开了哈萨克斯坦艺术创作的序幕。
关键词：20世纪前；哈萨克斯坦；艺术创作
Kazakhstan Artistic Creation in the 20th Century
LIU Wen-bin
(Art and Design Institute of ZhejiangUniversity, Hangzhou 310013, ZhejiangProvince)
Abstract: The time before the 20th century is an age of great changes in the history of Kazakhstan. For its full control of the Kazakhstan resources and socity, Russia had made various scientific expeditions in Kazakhstan. The artists involved in the exploration provided details of the humanities and the natural data with its artistic creation for the Russian government and carried their creation of painting with Kazakhstan theme, and opened the prelude of artistic creation in Kazakhstan. Key words: before the 20th century; Kazakhstan; artistic creation
民间服饰文化遗产的保护与传承体系建构
崔荣荣 牛 犁
（江南大学民间服饰传习馆，江苏 无锡 214122）
摘 要：随着“衣随人葬”“人亡艺绝”等现实状况的发生，保护和传承服饰文化遗产显得尤为紧迫。通过从艺术人类学、社会学和艺术学等多角度的研究可以更科学、真实地掌握民间服饰的形态、技艺以及文化内涵和社会价值，在此基础上分析民间服饰文化保护与传承的路径，可以为保护好民间服饰文化生态空间打下良好的基础。
关键词：中国；民间服饰；文化遗产；保护传承；生态空间
The protection and inheritance system construction of folk dress cultural heritage
CUI Rong-rong ,NIU Li
（Folk Costume Studio of jiangnan university, Jiangsu, Wuxi ,214122）
Abstract: With the occurrence of reality such as "people was buried with the clothes" and " people must perish art ", it is particularly urgent to protect and inherit dress cultural heritage. This paper attempts to study from the multi-angle such as anthropology of art, sociology and art theory to master the form, skill, cultural connotation and social value of folk dress more profoundly. On the basic of this, analyse the protection and inheritance path of the folk dress culture. All of this above can lay a good foundation for protecting the folk dress culture ecological space.
Keywords:China; Folk clothes. Cultural heritage; Protection and inheritance; Ecological space
蒙古语诵经音乐中唱诵音乐的形态类型初探
楚高娃
（中央民族大学音乐学院，北京 100081）
摘 要：对蒙古语诵经音乐中唱诵音乐形态类型的分析和解读及其对它进行深度阐释，目的是证实：蒙古语诵经音乐在发展过程中所形成的体系化和系统化特点；以唱诵音乐中三种形态类型的分析证实藏传佛教蒙古化的特点。
关键词：宗教音乐；蒙古语诵经音乐;唱诵音乐;形态类型
Thick description on the morpho-types of chant sutras music of Mongolia
CHU Gao-wa
( Minzu University of China, Music College, Beijing 100081）
Abstract: This paper makes an analysis and thick description on the morpho-types of chant sutras music of Mongolian, so that the author tries to verify that the characteristics of systematism and systematization which are formed in the development of chant sutras music of Mongolian. It also proves that Tibetan Buddhism has been assimilated by Mongolian culture through analyzing the three morphotypes of chant sutras music.
Key words: religion music, chant sutras music of Mongolian, chanting music, morphotype
试论蒙古史诗讲唱中的“替罪羊”现象
阿婧斯
（内蒙古师范大学文学院，内蒙古 呼和浩特 010022）
摘 要：“替罪羊”现象普遍存在于各个原始民族风俗信仰中，蒙古史诗讲唱同样也存在类似现象。通过对史诗讲唱“替罪羊”现象的分析，使我们获得了一个了解古代蒙古人精神世界与风俗信仰的角度。今天曾经在民众心中具有神圣地位的蒙古史诗早已被现代文明观念所消解，但这绑在毡包前代人受过的羔羊却能向我们传达出千年前蒙古先民的原始思维以及蒙古史诗那神异威严的力量。
关键词：蒙古史诗；风俗信仰；“替罪羊”；精神世界
An Approach to the "Scapegoat" Phenomenon in Mongolian Epic Sing
A Jing-si
(College of Liberal Arts of Inner MongoliaNormalUniversity, Hohhot 010022, Inner Mongolia)
Abstract: "scapegoat" phenomenon is widespread in the customs and beliefs of primitive peoples, and there is a similar phenomenon in the Mongolian spoken or sung epic. Analysis of the spoken or sung "scapegoat" phenomenon of the epic, we get an understanding of the spiritual world and the customs and beliefs from the ancient Mongol angle. Mongolian epic, the once sacred status in the minds of the people today have long been digested in the concept of modern civilization, but this tied lamb in front of the yurt can tell us the original thinking of the Mongolian ancestors in the and convey to us miraculous majesty's forces thousands of years ago in the Mongolian epic.
Key words: Mongolian epic; customs and beliefs; "scapegoat"; spirit world
2012年中国艺术人类学学术研讨会综述
杨维娜
（内蒙古大学艺术学院，内蒙古呼和浩特 010010）
摘 要：由中国艺术人类学学会、内蒙古大学艺术学院共同主办，内蒙古大学艺术学院承办的“2012年中国艺术人类学年会暨学术研讨会”在呼和浩特市召开。此次研讨会主题为：中国少数民族地区的民族民间非物质文化遗产保护与艺术人类学研究。会议收到论文近130篇，有80余位学者在研讨会上发言与讨论。仅对研讨的主要内容作一归类概述。
关键词：中国；艺术人类学；学术研讨会；综述
Sum Up of the 2012 China Art Anthropology Academic Seminar
YANG Wei-na
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: The 2012 China Art Anthropology Academic Seminar sponsored jointly by the China Art Anthropology Institute, Art College of Inner Mongolia University, and Inner Mongolia College of Art was held in Hohhot. The conference theme is: the study of protection of national and folk intangible cultural heritage of Chinese ethnic areas and research on art anthropology. The conference receives around 130 papers, more than 80 scholars at the workshop gave speech and participated in the discussion. This article only a sum up and categorizing of the main contents of symposium.
Key words: China; art anthropology; academic seminar; sum up