《内蒙古大学艺术学院学报》2011年第3期
中英文论文标题、摘要及关键词
“朵因温都儿”小考
乌兰杰 乌 兰
（中央民族大学，北京 100081；
中国社会科学院民族学与人类学研究所，北京100081 ）
摘 要：史籍所载“朵因温都儿”即今内蒙古自治区兴安盟扎赉特旗北境的博格达乌拉（俗称神山）。近来有一种说法，将扎赉特旗博格达乌拉与月伦太后联系起来，认为其地曾经是成吉思汗生母月伦太后的祭祀地。而通过相关史料梳理和科学分析，认为此说偏颇，朵因温都儿与月伦太后宫帐所在地无涉，因而与月伦太后祭祀不存在任何关系。
关键词：朵因温都儿；博格达乌拉；斡赤斤领地；月伦太后；失剌斡耳朵
A Preliminary Inspection of“duo yin wen du er”
WU Lan-jie Wu Lan
(CentralUniversity for Nationalities, Beijing 100081; Ethnology and Anthropology Institute, Chinese Academy of Social Sciences, Beijing 100081)
Abstract: The term " duo yin wen du er " in historical records of the present northern border of Inner Mongolia Autonomous Region Bogda Ula in Hing'an Zhalaite Banner (commonly known as the saint mountain). Recently there has been an argument to Zhalaiteqi Bogda Ula link with the Queen Mother Yarun, that the land of Genghis Khan's mother was the Queen Mother's place to worship. Combing through the relevant historical data and scientific analysis, said that "duo yin wen du er" is unrelated to the location, and therefore has nothing to do with the worship place of the Queen Mother.
Key words: "duo yin wen du er"; Bogda Ula; ojjin territory; yarun Queen Mother; shiraordo
那达慕：蒙古族古老而现代的节日
张曙光
（中国国家图书馆，北京 100081）
摘要：那达慕具有悠久的历史，但目前在那达慕的学术认识上，却存在着明显的多样性和模糊性。那达慕或单独举办，或集合在其他集会、节日或庆典活动中，逐步发展成为蒙古族重要的节日文化符号。那达慕较为明显的发展趋势是，其节日形态得以不断显现和逐步完整，并已衍化为具有相对固定周期、相对稳定内容、相对明确功能和专有名称的独立的节日。
关键词：蒙古族；节日；那达慕；文化符号
Naadam: The Ancient and Modern Mongolian Holiday
ZHANG Shu-guang
(National Library of China, Beijing 100081)
Abstract: Naadam has a long history, but in academic understanding, but there is a clear diversity and ambiguity for Naadam. Naadam is independently held, or with other meetings, festivals or celebrations, and gradually developed into an important festival of Mongolian cultural symbols. The more obvious trend of Naadam is that its holiday form has been gradually become complete and has been derived for a relatively fixed period, the content is relatively stable, relatively well-defined functions and proprietary names of independent festivals.
Key words: Mongolian; festival; Naadam; cultural symbols
恋爱的阈限与媒介
——长角苗恋爱习俗中服饰文化功能考察
安丽哲
（中国艺术研究院， 北京 100029）
摘 要：恋爱活动中的服装及配饰的禁忌反映了长角苗人在其长期的社会历史与自然环境下形成的婚恋观念。服饰作为一种符号，标识一个长角苗人可以参加恋爱活动的开始以及恋爱活动的截止。长角苗人使用服装配饰充当与对方进行沟通的媒介，含蓄的表达自己对对方的态度，显示了恋爱的不同阶段。在长角苗的文化中，服装及配饰在其恋爱习俗中扮演着重要的角色。
关键词：苗族服饰；文化功能 ；婚姻习俗；媒介；阈限
The Limen and Media in Love
-------Inspection of the cultural function of Changjiao Miao dress in love customs
AN Li-zhe
(Chinese Art Institute, Beijing 100029 )
Abstract: The taboo of clothing and adorn in the Changjiao Miao love activities reflect the marriage notion developed in the long-term social history and natural environment. As a symbol, dress marks the beginning and the end of Miao people who can attend love activity. The Changjiao Miao people use costume as a media to express themselves, implicative for each other's attitude and display different stages of love. Clothing and adorns of Miao people play an important role is in their love customs。
Key words: Miao dress, cultural function; marriage customs; media; limen
云南藏族乐舞文化及其与周边民族文化的交流与关联
石裕祖
（昆明艺术职业学院 云南 昆明 328866）
摘要：藏族是云南省26个世居少数民族之一，神秘奇妙的藏族乐舞文化体现了一元多流的特征，与其他云南的少数民族乐舞文化形成了博大精深且多姿多彩的若干种类，反映了其既自成体系又广采博收的民族胸怀。解读和研究云南藏族乐舞文化，以及藏族乐舞文化及其与周边民族文化的交流与关联，有助于我们理解艺术发生学及大众艺术审美选择的基本原理和规律。
关键词：云南藏族；乐舞特征；周边民族；交流融合；文化影响；关联
The Communication and Correlation between Yunnan Tibetan Music Dance Culture and Its Surrounding National Culture
SHI Yu-zu
(Kunming Art Vocational College, Kunming 328866, YunnanProvince)
Abstract: Tibetan is one of the 26 native ethnic minorities living in Yunnan. The mysterious magical Tibetan music dance culture reflects the characteristics of a unity, and with other ethnic music dance culture of Yunnan form a profound and diverse number of species, reflecting the only self-contained and widely adopted national mind. Interpreting and studying music dance in Yunnan as well as Tibetan culture and Tibetan music dance culture and its communication with the surrounding culture and associated arts help us understand the genetic and the public choose of the basic aesthetic principles and laws.
Key words:Yunnan Tibetan; music dance features; surrounding minorities; communication and integration; cultural impacts; association
作为口头艺术的鄂尔多斯祝赞词及其特征
哈斯巴特尔
（内蒙古师范大学音乐学院，内蒙古 呼和浩特 010010）
摘要：祝赞词是蒙古族最古老的口头艺术形式之一，在蒙古族各地区广泛流传。祝赞词，不仅是口头艺术，也是言说和表演相结合的艺术形式，还具有表演艺术的特征。祝赞词的表演者，在进行表演时没有伴奏乐器，手举哈达，进行演说，是现场即兴发挥，没有任何准备，看实际情况即兴编创适合所有仪式规则和情景的祝赞词。祝赞词的表演在其特定的表演语境中才能产生它的意义和作用。
关键词：鄂尔多斯；祝赞词；口头艺术；特征
Ordos Eulogy as Verbal Art and Its Characteristics
Habaatar
(School of Music, Inner MongoliaNormalUniversity, Huhhot 010010, Inner Mongolia)
Abstract: Eulogy is one of the oldest Mongolian oral art forms widespread, in different patrs of Mongolian area. Eulogy is not only a verbal art, but also a combination of speech and performing art forms, with the characteristics of the performing arts. Eulogy performers, during performances without accompaniment musical instruments, hand-held Hada, the speech is impromptu play, without any preparation, seeing the innovations of the actual situation impromptu ceremony for all the rules and scenarios. Eulogy performance can only produce the performance of its meaning and effect in their specific context.
Key words: Ordos; eulogy; oral art; features
我国民间音乐文化的“活态载体”
——对民间音乐艺人社会文化价值的认识
高巧艳布日古德
（内蒙古民族大学音乐学院，内蒙古通辽 028043）
摘要：作为民间音乐文化“活态载体”的民间音乐艺人，在传承民族音乐文化方面具有重要作用。重新审视我国民间音乐艺术的传承人，使人们能对民间音乐艺术“活态的传承人”进行关注，认识其独特的社会文化价值，他们才是我们民族文化的“承载者”，对进一步传承和保护我国优秀的民族音乐艺术具有重大意义。
关键词：民间音乐；活态载体；民间音乐艺人；社会文化价值
The “Living Carrier” of China's Folk Music Culture
----Cognition of the social and cultural of the value of folk music artists
GAO Qiao-yan Burgud
(School of Music of Inner MongoliaNationalUniversity, Tongliao 028043, Inner Mongolia)
Abstract: As the "living carrier" of folk music culture, folk music artists, have an important role in the inheritance of traditional folk music culture. Re-examining the inheritors of China’s folk music art, we can make people pay attention to the “living inheritor”of the folk music art, recognizing their unique cultural values. They are the ones of our national culture "bearers" of further transmission and they are of great significance for protecting our great national music art.
Key words: folk music; living carrier; folk music artists; social and cultural values
试论蒙古族长调功能性保护的意义及路径
乔玉光
（内蒙古文化厅，内蒙古 呼和浩特 010010）
摘要：在蒙古族游牧社会中，长调不仅承担着艺术表达和情感表达的作用，同时也承担着重要的生产性和生活性的社会功能。在当代，长调更为深层次的危机，表现在社会功能的弱化与丧失。对长调的保护，既要注重对音乐风格、演唱特点等等内容的保护传承，更要着眼于长调在生产生活中功能作用的保护与传承，把对长调社会功能的保护措施摆在更为突出的位置。
关键词：蒙古族长调；社会功能；保护；传承；路径
On the Significance and Path of the Functional Protection of Mongolian Long-tune
QIAO Yu-guang
(Inner Mongolia Culture Department, Hohhot 010010, Inner Mongolia)
Abstract: In the Mongolian nomadic society, the long-tune not only bear the artistic expression and the role of emotional expression, but also plays an important part in the social function of production and life. In modern times, a long tune is in more deep-seated crisis, manifested in the weakening and loss of social function. As to the protection of the long tone, it is necessary to pay attention to the musical style, singing the protection of heritage features and much more, and to focus on the long tune in the production of functional roles in the protection of life and heritage, the social function of the long tune of protective measures put in more prominent position.
Key words: Mongolian long-tune; social function; protection; heritage; path
民俗文化视域下的蒙古族长调
刘新和
（内蒙古自治区艺术研究所，内蒙古呼和浩特 010010）
摘要：蒙古族长调的抢救与保护是一项规模宏大、内容复杂的系统工程，而对文化环境与传承环境的保护是基础性工作。长调保护应该建立在民俗地理、民俗文献和民俗生活基础之上。“学院式”的研究与保护非常重要，而支撑学院式研究的基础是田野与传统。
关键词：蒙古族长调；遗产保护；民俗文化；视域
Mongolian long-tune under the Folk Culture Domain
LIU He-xin
(Art Institute of Inner Mongolia Autonomous Region, Hohhot 010010, Inner Mongolia)
Abstract: The rescue and protection of Mongolian long-tune is a large-scale, complexity system engineering, and environmental and cultural heritage protection of the environment is the foundation work. Protection should be based on long-tune folk geography, folk literature and folk life basis. "School" type of research and conservation is very important, and collegial support for research is based on the field and traditions.
Key words: Mongolian long-tune; heritage protection; folk culture; sight
科尔沁长调民歌调式特征分析
吴黎晗
（内蒙古大学艺术学院音乐系，内蒙古 呼和浩特 010010）
摘要：对乌兰杰先生收集整理成册的《科尔沁长调民歌集》中90首科尔沁长调民歌调式的分析，发现科尔沁长调民歌调式不仅有五声性调式，还有六声性甚至七声性的调式，并且转调的类型与手法也是包罗万象。
关键词：科尔沁;长调民歌;调式特征;单一调性；调性变化
Analysis of the Characteristics of Horqin Long-tune Folk Songs
WU Li-han
(Department of Music, ArtCollege of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: Mr. Wu Lanjie collected into a book of " Horqin long-tune folk songs set"with the analysis of the tune types of 90 Horqin long-tune folks songs, and found that Horqin long-tune folk songs tuning not only have the Pentatonic tuning, there are six or seven sound of the tuning and various swapping and tactics types.
Key words: Horqin; long-tune folk songs; tuning features; single tone; tone changes
新疆巴音郭勒蒙古族短调民歌旋律形态探析
玉 梅
( 内蒙古大学艺术学院，内蒙古呼和浩特 010010 )
摘 要：巴音郭勒短调民歌,保持了传统蒙古族民歌的调式特点，音乐多以五声音阶为主而构成。其旋律音程幅度大，体现了在一定程度上受其他少数民族音乐影响而形成的独特风格。新疆巴音郭勒短调民歌节奏也形成了自身的特征，其短调民歌的曲体结构保持了蒙古族风格的独特魅力。
关键词：新疆；巴音郭勒；蒙古族短调民歌；调式调性；旋律；节奏；结构
Analysis of Tune Forms of Xinjiang Bayangol Mongolian short-tune folk songs
YU Mei
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: Bayangol short- tune folk songs have maintained the tuning features of traditional Mongolian folk songs, and the music have more oriented to the pentatonic scale and composition. The large range of melodic intervals, reflecting to some extent by the effects of other ethnic minorities formed a unique musical style. Xinjiang Bayangol short-tune folk songs also formed its own rhythm characteristics, the short- tune folk songs structure maintains a unique Mongolian-style charm.
Key words: Xinjiang; Bayangol; short- tune Mongolian folk songs; modal transfer;melody; rhythm; structure
1990年代以来国外西藏艺术理论研究述评
罗易扉
（中国艺术研究院研究生院，北京 10029）
摘 要：西藏具有丰富的艺术资源。选取1990年代以来国外西藏艺术理论研究作一综述。主要依据方法论为分类依据，根据图像学、社会学、考古学及宗教学等不同的方法论归类述评。反映20年代来西藏艺术理论研究的进展和成果，展现西藏艺术研究中重要理论与方法论。
关键词：综述；西藏；艺术理论；研究论著；方法论
Sum Up of the Theoretical Study of Tibetan Art Abroad since the 1990s
LUO Yi-fei
(Graduate School of Chinese Academy of Arts, Beijing 10029)
Abstract: Tibet has a rich artistic resources. This article selects and sum up the theoretical study of Tibetan art abroad since the 1990s. Methodology is the base of the classification according to image science, sociology, archeology, and religion of different classification methodology review, reflecting the progress and achievement of the study of Tibetan art theory and shows the important theory and research methodology used in the research on Tibetan art.
Key words: sum up; Tibet; art theory; research works; methodology
浅析现当代中国绘画风格之变
陈铁梅
（内蒙古大学艺术学院美术系，内蒙古 呼和浩特 010010）
摘要： 20世纪上半叶中国绘画的格局是明清大写意与元代小写意、唐宋严谨画三足鼎立，然后是文人画大写意，直到吴昌硕、齐白石、黄宾虹、潘天寿这四家，中西合璧与传统派二者并存。文人画在社会结构已发生巨大变化的时代逐渐失去发展空间，中国画融通西方现代艺术广为人接受，林风眠、吴冠中等一辈艺术家身体力行，探索中西融通，探索中国绘画在时代中的历史转变之路。
关键词：中国绘画；风格；变革；中西融通
An Approach to the Changes of Modern and Contemporary Chinese Painting Styles
CHEN Tie-mei
(Fine Arts Department, ArtCollege of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: In the first half of the 20th century, there were three patterns of the Chinese paintings: large freehand brushwork in Ming and Qing, small freehand brushwork in Yuan Dynasty, meticulous paintings in the Tang and Song dynasties, and then there was the scholar painting large freehand brushwork, until Wu Chang-shuo, Qi Bai-shi, Huang Bin-hong, Pan Tian-shou, and Western-eastern combination of both co-exist with the old school. Scholar painting in the social structure has undergone tremendous changes in the era of losing space for development of modern Western art of Chinese painting facility widely accepted, Lin Feng-mian, Wu Guan-zhong, etc. explore Western intermediation to explore Chinese painting in the era of historic change oin the way.
Key words: Chinese painting; style; change; Western-eastern intermediation
蒙古风格的莫卧尔王朝印度细密画
（英国）狄波拉•丝瓦罗 著 毛 铭 译
(英国伦敦大学东方学院,英国 伦敦）
摘 要：在相当于明清时期的印度莫卧尔王朝鼎盛时代，宫廷绘画主要学习的是波斯细密画。波斯细密画的源头，可以追溯到蒙古忽必烈汗时代宫廷绘画艺术，特别是人物肖像方面。莫卧尔王朝细密画有其风格变化，其中的杰作之一《贾汗吉尔朝见苏菲派长老和其他国王》是当时东西方文化碰撞的典型例子。
关键词：波斯细密画；蒙古宫廷绘画；印度莫卧尔王朝；苏菲派长老
Mughal Dynasty in India Fine Art Painting of Mongolian Style
(UK) Deborah • Swallow, Translated by of Mao Ming
(Oriental Institute, University of London, London, UK)
Abstract: In the equivalent period of the Ming and Qing dynasties flourishing Indian Mughal era, the palace painting is mainly the learning of Persian fine painting art. Persian miniatures can be traced back to the times of Mongolian palace art of painting in the court of Kublai Khan, especially in portraits. Mughal dynasty fine art has its own style changes, among which one of the masterpieces is "Meeting Jahangir Sufi elders and other kings," and was a typical example of East-West cultural collision.
Key words: Persian miniatures; Mongolian court painting; India's Mughal dynasty; Sufi elders
高等美术教育的理想与课程的人文价值诉求
吴宝德 张晓涧
（内蒙古包头师范学院，内蒙古 包头 014030）
摘 要：高等美术教育在追求理想的同时，积极探寻美术教育专业课程的价值诉求，是目前高等美术教育需要研究的根本问题之一。坚守学校自身文化传统，追求学校自身个性鲜明的教育理想，是高等美术院校面临的重要选择;体现教育者的理想追求，紧密联系教育者对具体课程教育价值的诉求，是学科建设的价值取向；师生间实际交流达成知识的教学活动，才能体现美术课程教育价值的诉求。
关键词：中国；高等美术教育；专业课程；学科建设；教学活动；价值诉求
Appeal to Human Value of Ideals and Courses of Higher Art Education
WU Bao-de, ZHANG Xiao-jian
( Inner MongoliaBaotouNormalUniversity, Baotou 014030, Inner Mongolia)
Abstract: Higher Art Education in the pursuit of ideals, we will actively explore the value of art education demanding of professional courses, is one of the fundamental issues of higher art education need to be studied. Adhere to the school's own cultural traditions, the pursuit of the school's own distinctive ideal of education, institutions of higher art face an important choice; the education of those ideals, closely linked to specific courses of education are the demands of the educational value, the value orientation of disciplines; practical communication between teachers and students to achieve knowledge of teaching activities, in order to reflect the demands of the educational value of art courses.
Key words: China; higher art education; professional courses; discipline construction; teaching activities; value proposition
中国古代音乐史撰述相关问题探析
柏互玖
（中国艺术研究院 北京 100027）
摘 要：自20世纪初叶伯和《中国音乐史》问世以来，中国音乐史作为一门学科，即已开始了它的科学化发展进程。这一百年来，中国音乐史的研究取得了骄人的成就，有多本中国古代音乐史著述问世。其著述体例各异，所关注问题的侧重点亦有不同。撰写新的中国古代音乐史从制度作为学术切入点，突出中国传统音乐文化的重要创造者和承载者乐人的主体地位，再结合音乐功能来研究和叙述中国古代音乐史，则能使中国传统音乐研究在许多环节上可以接通。
关键词：中国古代；音乐史；历史分期；制度；功能
An Approach to the Related Problems of the Composing of Chinese Ancient Music History
BAI Hu-jiu
(ChinaAcademy of Art, Beijing 100027)
Abstract: Since the book "the History of Chinese Music"wasa published in the early 1900s, Chinese music history, as a discipline, had already begun its process of scientific development. During one hundred years, the research on the history of Chinese music has made remarkable achievements and many writings about the history of ancient Chinese music have come out. The writing style varies, and the concerns have different emphases. To write a new history of music in ancient China as an academic from the system entry point, highlighting the importance of traditional Chinese music culture creators and bearers of the dominant position of music, combined with music and narration function to study the history of ancient Chinese music, then the traditional Chinese music research in many areas can be connected.
Key words: ancient China; music history; history stages; system; functions
三种七声音阶的正名与“燕乐音阶”的争鸣
苗金海
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：中国传统音乐三种七声音阶名称不统一的问题由来已久，给传统音乐教学和理论研究带来诸多不便。为中国传统音乐中三种七声音阶正名，早日结束“是否存在燕乐音阶”的学术争鸣，是发展、完善中国传统音乐宫调理论体系的重要工作。
关键词：七声音阶；燕乐音阶；清商音阶；正名
Contend the Ratification of the Three Kinds of Seven Scales and "YanYue Music Scale,"
MIAO Jin-hai
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: It has been long that the three kinds of seven scales of Chinese traditional music do not have their fixed names and it has brought much inconvenience to the traditional music teaching and theoretical research. It is an important work to ratify the three kinds of seven scales of Chinese traditional music, to end the argument of the names so as to develop and improve the theory of traditional ChinesePalace music system.
Key words: seven scales; Yan Yue music scale; clear commercial scale; ratification
为低音旋律创作和声的新思路
吴 彪
（三明学院艺术学院，福建 三明 365004）
摘要：在音乐创作中，低音部是一个需要予以充分重视的声部。文章对低音旋律创作和声要注意旋律线条、处理好两个外声部的协调关系、避免声部之间的不良进行、避免对斜关系、出现变音的处理方法、完成和声创作技巧等方面作了思考与探讨。
关键词：音乐创作；低音旋律；创作和声；新思路
A New Idea of Creation of Bass Tune
WU Biao
（Art School of Sanming College of, Sanming 365004, Fujian Province）
Abstract: In the music creation, bass tune is a part need to be highly valued. This article gives discussions and approaches to melody lines handling, dealing with the coordination of the two outer parts of the relationship between the department to avoid the bad sound, to avoid the relationship of the ramp, there diacritical approach, complete creative skills and sound are analyzed, summarizes the bass tune from creation role, completion of harmony creation techniques.
Key words: music creation; bass tune; creative harmony; new ideas
音乐材料结构属性的明确对于音乐本质问题的重要意义
——从现代音乐的创作看其存在的音乐本质
冯 晓
（遵义师范学院音乐系，贵州 遵义 563002）
摘 要：音乐材料基本属性——语义性、非物质性、二度创作性，以及音乐结构的三要素——音响、表现、意义，它们是音乐艺术区别于其他艺术的本质所在，更是音乐结构的“基石”和不能违背的音乐创作的基本边界。
关键词：音乐材料；音乐结构；音乐本质；现代音乐
The Significance Expliciting of the Structural Properties of Music Materials to the Problem of Music Nature
—— Viewing the music nature from the creation of modern music,
FENG Xiao
(Music Department, ZunyiNormalCollege, Zunyi 563002, GuizhouProvince)
Abstract: The basic properties of musical materials - semantic, non-material, ongoing creation, as well as musical structure of the three elements - sound, performance, significance, they are different from essence of other art, the music structure is "cornerstone" and not contrary to the basic boundaries of music.
Key words: music materials; musical structure; music nature; modern music
柴科夫斯基钢琴组曲《四季》中的大自然形象
王艳芳
(内蒙古大学艺术学院附中，内蒙古 呼和浩特 010010）
摘要：钢琴组曲《四季》是柴科夫斯基为数不多的极具特色和风格鲜明的钢琴作品之一。它由十二首乐曲组成，每一首乐曲都代表着一年四季中的一个月份，并为每一个月份都赋予了标题。描绘出俄罗斯的季节特色，并为听众呈现了十二幅美丽的风景画。
关键词：柴科夫斯基；钢琴组曲；《四季》；音乐形象
The Image of Nature in Tchaikovsky Piano Suite "Four Seasons"
WANG Yan-fang
(Attached High School of ArtCollege of Inner Mongolia University, Hohhot 010010, Inner Mongolia)
Abstract: Suite for Piano, "Four Seasons" is one of the few Tchaikovsky's very unique and distinctive style of piano works. It is composed of twelve songs, and each song represents in a month of a year, and each month is given a title. The work depicts the characteristics of the Russian season, and showed the twelve beautiful landscapes for the audience.
Key words: Tchaikovsky; Suite for Piano; "Four Seasons"; music image
歌唱情感表现的美学特征
郭 婧
（内蒙古师范大学音乐学院 内蒙古 呼和浩特 010010）
摘 要：歌唱艺术的情感表现具有美学特征。从歌唱艺术的情感特征、歌唱艺术情感表现的美学特征及其情感表现的实际运用三方面进行阐述，从美学的角度对当代中国民族声乐艺术进行分析、探究，旨在既要符合声乐艺术的学科属性,又要符合现代美学所遵循的原则，并希望以此探究声乐美学理论在实践中的运用。
关键词：音乐美学；歌唱艺术；情感特征；情感表现；美学特征
The Aesthetic Characteristics of Singing Emotional Expression
GUO Jing
(MusicSchool of Inner MongoliaNormalUniversity, Hohhot 010010, Inner Mongolia)
Abstract: The emotional expression of singing has the aesthetic characteristics. This article Emotional characteristics from the Art of Singing, Singing the aesthetic describes the emotional expression features of singing art, emotional expression and feeling expression, from an aesthetic point of view of contemporary art of China's national vocal analysis, to explore not only meet the vocal arts disciplines properties, but also in line with the principles of modern aesthetics, and hope to explore the vocal aesthetic theory in practice use.
Key words: music aesthetics; singing art; emotional characteristics; emotional expression; aesthetic features
从鄂尔多斯城市建筑谈当下建筑造型设计“视觉化”的审美趋向
赵升红
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：当下建筑造型设计的审美越来越趋向于“视觉化”，鄂尔多斯大剧院、鄂尔多斯图书馆等城市标志性建筑造型设计特点也从一个侧面反映出这一审美趋向。探讨这一问题，以引发我们对当下建筑造型设计相关问题的思考。
关键词：建筑造型；审美趋向；视觉化；审美信息；鄂尔多斯；城市建筑
On the "Visual" Aesthetic Trends of the Present Architectural Design from the Perspective of Ordos City Building
ZHAO Sheng-hong
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: The current architectural design aesthetic tends to be more "visual" and the design features of the city building landmarks such as Grand Theatre of Ordos, Ordos Library have reflected from one side of the aesthetic trends. Exploring this issue, we present to lead to issues related to architectural design thinking.
Key words: architectural style; aesthetic trends; visualization; aesthetic information; Ordos; city building
高校文化产业学科建设的现状与思考
刘筠梅
（内蒙古大学艺术学院，内蒙古 呼和浩特 010010）
摘要：高校的文化产业学科建设，是在我国文化产业蓬勃发展、国家对文化产业高度重视的背景下开始的。到目前，初步厘清了文化产业学科与其他学科的关系，基本建立了一支结构较合理、水平较高的师资队伍，逐步形成了较科学、合理的人才培养模式和课程体系，进行了大量结合社会实际、服务社会的科学研究。今后还要让文化产业学科走上更加正常、更加成熟的建设之路，更加理性地在高校中设置文化产业专业。
关键词：中国高校；学科建设；文化产业；现状；思考
Present Status and Thinking of Discipline Construction of Universities Cultural Industry
LIU Yun-mei
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: The construction of university cultural industry disciplines began under the background that cultural industries are booming in China, the state attaches great importance to the cultural industries in the context. Up to now, preliminarily clarify the cultural industries the relationship between disciplines and other disciplines, the basic establishment of a more reasonable structure, high level of faculty, and gradually form a more scientific and rational training model and curriculum, with a lot of social reality, to serve the community of scientific research. In the future, the cultural industry disciplines should be on a more normal, more sophisticated construction of the road, more rational set of cultural industries in the colleges.
Key words: Chinese universities; discipline construction; cultural industries; the status quo; thinking
“东方视域中的西方美学”高层论坛综述
宋生贵 杨维娜
（内蒙古大学艺术学院,内蒙古 呼和浩特 010010）
摘 要：“东方视域中的西方美学”高层论坛，于2011年8月3日至5日在呼和浩特举行。来自中国和日本美学界的30多位专家学者，围绕东方美学与西方美学的关系及其历史、东方美学的可能性、东方视域中的民族艺术与美学、中日不同的西方美学观等问题进行了深入探讨。
关键词：会议综述；东方美学；西方美学；关系
Forum Summary of “Aesthetics from East and West Perspective”
SONG Sheng-gui YANG Wei-na
(Art College of Inner MongoliaUniversity, Hohhot 010010, Inner Mongolia)
Abstract: Forum of "Aesthetics from East and West Perspective " was held from August 3, 2011 to 5 in Hohhot. More than 30 experts and scholars from China and Japan in aesthetic circles have made deep discussion on the issues and topics such as the relationship and the history between the Eastern aesthetics and Western aesthetics, the possibility of oriental art, national art and aesthetics in the oriental view, the different western aesthetics opinion in Japan and China.
Key words: conference overview; oriental aesthetics; Western aesthetics; relationship