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1), Northern Shanxi Province folk arts
2), Wheat flour dough sculptures and embroidery from Luochan city
3), Ansai City farmers’ papercuts
4), Limitation of farmer-artists’ aesthetic standards
5), Training farmer-artists to be more creative
6), Crisis of peasant painting creation
Chapter 7 Marginalization of Rural Folk Arts and Handicraft Artisans
1), Focus on rural folk arts and artisans
2), Farmers’ obsolete tools
3), The fate of village artisans
4), Cave dwellers and cave construction in Northern Shanxi Province
5), Ruins of the Chenlu town kilns
6), Guan-style kiln sites no longer making guan-style storage jars
Chapter 8 Reproduction of Human Resources and Folk Culture
1), Inspiration from western post-modern culture
2), Inspiration from the cultural heritage regarding human resources
3), Basic concepts of reproduction of folk culture
4), Powers derived from folk culture reproduction
5), Evolution and rebirth of the traditional culture
6), Loss of authenticity in the folk culture
Chapter 9 Reestablishment of the protection of the folk culture heritage and cultural virtues
1), Cultural self-awareness during globalization
2), Effects of biological forces from the outside
3), integrated proposal for cultural development
4), Concern for the heart and soul of the farmers
5), Moral culture as another capital investment in society
Chapter 10 Ecological Perspective of Heritage Protection
1), Ecological pressures on Chinese and western ethnic societies
2), Ecological concept of heritage
3), Cultural rethinking faced by the people
4), Meaning of ecological culture on the development of future human societies
Conclusion
Protection, Creation and the Future
Postscript