追忆蒙古族长调大师宝音德力格尔
莫尔吉胡
（内蒙古广播电视厅，内蒙古呼和浩特010050）
关键词：宝音德力格尔；生活；歌唱：教学
Recll Boyindelger, the Maestro of Mongolian Long Tune
Meregjih
（Inner Mongolia Department of Radio and Television， Hohhot, Inner Mongolia, 010050）
Key words: Boyindelger; Life; Singing; Education
金色圣山无字丰碑
——悼念蒙古族长调大师宝音德力格尔
乌兰杰
（中央民族大学，北京100081）
关键词：蒙古族长调；宝音德力格尔；艺术教育家
Golden Holy Mountain, Invaluable Monument
——Mourn Boyindelger, the Maestro of Mongolian Long Tune
Ulanje
(Minzu University of China, Beijing, 100081)
Key words: Mongolian Long Tune; Boyindelger; Art educationist
历史丰碑功盖千秋
——缅怀蒙古族长调（乌日汀哆）艺术大师宝音德力格尔
柯沁夫
（内蒙古大学艺术学院，内蒙古呼和浩特 010010）
关键词：乌日汀哆；巴尔虎风格；艺术教育家
Historical Monument, the Contributions of the Future Generations
——Recll Boyindelger, the Maestro of Mongolian Long Tune (Wurtindu)
KE Qin-fu
(Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Key words: Wurdindu; the Style of Barghu; Art educationist
宝音德力格尔对蒙古族长调
（乌日汀哆）发展的贡献
赵红柔
（呼伦贝尔学院音乐系，内蒙古 呼伦贝尔021008）
关键词：蒙古族长调；演唱风格；曲目体系；传承方式；人格魅力
Boyindelger's Contribution to the Development of
Mongolian Long Tune (Wurtindu)
 
ZHAO Hong-rou
(Hulunbuir University, the Music Department, Hulunbuir, Inner Mongolia, 021008)
Key words: Mongolian Long Tune; the Style of singing; the System of repertoire; the Mold of inheritance; Charisma
伶人阶级的家族结构论纲
厉震林
（上海戏剧学院，上海20040）
摘 要：由于伶人家族的特殊性，作为静态的外部构造的家族结构也具有一定的特殊性，与传统家族相对稳定的家族结构有所变异，一是“二大一小”的结构形态，“二大”是指两个大的家族和泛家族系统，“一小”即伶人进入伶界以后自身所组成的家族结构；二是家点族面的发展过程，伶人家族从点到面的发展，它是一种特殊生存环境下形成的同业家族，伶人家族在同业内部发展家族成员关系的特殊状况，也就具有一种封闭社会的家族结构形态；三是地广权稀的基本格局，伶业的流动属性使伶人家族结构出现了“地广权稀”的特征，族规和家法由于地理的空间因素而产生疏松现象。
关键词： 伶人阶级；家族结构；二大一小；家点族面；地广权稀
 
 
On the Family Structure of the Actor Class
 
LI Zhen-lin
(Shanghai Theatre Academy, Shanghai, 20040) 
Abstract: Due to the special family structure of the actor class, the static external family structure is also of certain particularity, which varies from the relatively stable structure of traditional family. Firstly, the structure form is "two big and one small". "Two big" refers to the system of two big clans and extensive family. "One small" is the actor's own family structure after entering the opera. Secondly, the development process is "family unit and clan group". The development of the actor's clan from unit to group is the formation of the same-trade cl