《内蒙古大学艺术学院学报》
2012年第3期中英文论文摘要、关键词
艺术与国运
纳日碧力戈
（复旦大学社会科学高等研究院，上海 200433）
摘 要：中国已经成为经济大国，但在社会、人文、美德等方面尚不能自称最强国。经济强大给国政奠定了基础，但经济不能代替国政，国家良治不足者，由强变弱，不能持续。国强靠“政经”，即发达的政治和经济；国运靠“生态”，即经济、社会、人文、美德之良性对转。国运呼唤强化良治，呼唤经济、社会、人文、美德之良性共生，而良治和“共生”可出自艺术生活。艺术生活即生活美学。
关键词：艺术；国运；良治；生活美学
Arts and the Nation-State
Naran Bilik
(Institute for Advanced Study in Social Sciences, FudanUniversity, Shanghai 200433)
Abstract: Though China has become an economic superpower it is still yet to be stronger in terms of civil society, humanities, and ethics/virtue. Strong economy has laid a solid foundation for state governance; but economy is not the substitute for state governance. If a state lacks good governance, it will become weakened and will not last long. A strong state needs both strong politics and strong economy; the fate of the state cannot be decoupled from the "ecology" of economy, society, humanities, and ethics/virtue. The good fate of the state demands good governance and the symbiosis of economy, society, humanities, and ethics/virtue. Good governance and "symbiosis" comes from arts of life while arts of life means aesthetics of life.
Key words: arts, the fate of the state, good governance, aesthetics of life
“艺术知识”：非物质文化遗产和
艺术人类学
（荷兰）威尔弗雷德·范·丹姆 著 关 祎 译
(荷兰莱顿大学艺术史学系, 荷兰 莱顿市 95002300)
摘 要：艺术人类学的基本任务是记录全世界不同文化中的“艺术知识”。当不同人类群体的各种非物质文化遗产被记录下来，并被放入各自文化语境中之后，下一步就是要对民族志数据进行比较，由此建立模型，并最终解释人们不同艺术观的相异与相似之处。
关键词：艺术知识；本土知识；非物质文化遗产；艺术人类学；民族志科学
Art lore: Intangible cultural heritage and art anthropology
Written by Wilfried Van Damme, Translated by Guan Yi
（School of Art History, Leiden University, Netherlands，95002300）
Abstract: Recording "art lore" of different cultures all around the world is basic task of Anthropology of art. Once these types of intangible cultural heritage of various human groups have been recorded and contextualized, the next step may consist of comparing the ethnographic data in order to establish, and eventually explain, both differences and commonalities in the way people conceive of the various dimensions of the arts.
Keywords: art lore, local knowledge, intangible cultural heritage, anthropology of art, ethnoscience
论21世纪戏曲导演的艺术自觉
王 萍
（兰州城市学院文学院中国古代小说戏剧研究所，甘肃 兰州 730070）
摘 要：21世纪戏曲导演的艺术自觉，即体现为对戏曲这一民族艺术流变乃至兴衰的理性反省，包括戏曲艺术的文化特质、艺术特点及当代语境下戏曲发展走向等的自我认识和自觉追求。具体表现为：对传统艺术敬重、传承的自觉；坚持时代性与